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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 22: Olly Styles (saxophone): Stage 2 recital @ The Music Sudios, Newcastle University. 10:00am. Free, all welcome.
Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Friday, September 15, 2017

The Safe Sextet with Debra Milne @ The Globe September 14

Debra Milne (vocals); Don Forbes (trumpet); John Rowland (tenor sax); Steve Summers (various saxes); Joel Brown (piano); Paul Grainger (bass); Mark Robertson (drums)
(Review by Ann Alex)
A stonkingly good night of jazz, which could even be an ‘I was there’ occasion for at least 2 reasons:-
Joel Brown, depping for Alan Law, gave a stunning performance on the keys, which made me wonder if he’s lying about his age. His lively, inventive, performance matched that of the other musicians, who must surely be 30 years (ahem!) or so his senior. And we witnessed the first performance of a new tune in the making, as Don gave out scores which were the basis of a tune which played out initially as a slow steady trumpet, with each instrument gradually picking it up and culminating with a slow bass solo. I think Don said it was called Silence and it was somehow connected with John Cage, but Don was giving lots of entertaining chat anyway.
It was the first time that Debra [Milne] had sung with this band and she did well with some very difficult material, even singing her own lyrics (Relax) to the slinky tune Killer Joe. Debra has talent as a lyricist and it will be good to hear more of her writing in the future. But all this was in the second set, I’m ahead of myself. The band opened with Wayne Shorter’s One by One, a delightfully boppy, jagged number, followed by a piece rarely played Israel, and the soloists well under way, horns playing as if they were in love with the tune, trumpet in charge (sort of) and the piano soon showing what it could do. Then a number which was written by a tenor player with the Basie band, didn’t catch the name, but it involved a dual between drums and trumpet, after Don stood up to call the drums into extra action – such fun. Enter Debra to sing Jumping With Symphony Sid (Lester Young) and Bluesology. Jumping had a vocalese written by the great Georgie Fame and both songs were Don’s arrangements. Then came Coltrane’s Equinox (I’d kill to get the chance to sing this song with a band), with a combined solo from piano, bass and drums.

Other second set numbers included Hocus Pocus, after which Don told us about how American trumpet player Lee Morgan had been shot dead by an ex girlfriend during a gig, so the chat was historically informative, then a Horace Silver composition with a superb solo from Joel. So What included lyrics, something about Miles Davis leaving the stage, and Four had Debra evolving into some scat. The never-played-before-Don Forbes original was followed by Scotch And Water, fast solos, Debra scatting 4’s with the tenor, a bass solo with brief comments from the piano, and a final statement from the trumpet, which seemed like the right ending to a great night of beboppy jazz.

Next week at the Globe promises to be memorable. If you fancy yourself as a song writer, a course for this begins on Monday at 7pm. If you like folk music as well as jazz, there’s an outstanding new band on Friday, Pons Aelius, which includes highland pipes, bass and rhythm from bodhran and cymbals, exciting stuff. Then this Sunday (Sept. 17) at noon, you can hear vintage jazz, how it all began, with Emily Bacon’s Good Time Gang, and you can have food with the music, gumbo and jambalaya.
I think I’ll move my bed into the Globe for the next week!
Ann Alex  

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