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Bebop Spoken There

Tina May: "It's a broad umbrella, jazz, but to me there has to be improvisation. If that's not there, to me, it's not really jazz." - (Jazzwise March 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Wednesday, September 06, 2017

CD Review: Nat Steele - Portrait of the Modern Jazz Quartet

Nat Steele (vibes); Gabriel Latchin (piano); Dario Di Lecce (bass); Steve Brown (drums)
(Review by Lance)
Mention MJQ and two contrasting images spring to mind. The early quartet which, I believe begun life as the rhythm section of the Dizzy Gillespie Big Band who, when they left to form what was initially the Milt Jackson Quartet (same initials get it?), breathed a breath of fresh air into 1950's small group modern jazz. Driven originally by bop drummer Kenny Clarke the momentum continued, at least for a while when Connie Kay took over from Clarke.
Fast forward a few years and the music became somewhat more pretentious in keeping with the band's funereal apparel and matching sombre expressions.

Fortunately, London based vibist Steele has opted for the earlier bop influenced period which in this case covers the period 1953-1957. 
Living, as we do, in an age where jazz musicians 'pay their dues' in colleges and academies it comes as a pleasant surprise to find that Steele is actually self-taught. Steele brings to mind Tubby Hayes' vibes playing particularly on Autumn in New York.
Naturally, comparisions are made with Milt Jackson and Steele is not found wanting and, possibly due to present day recording techniques, actually gets a warmer sound than did Milt who often sounded like he was hitting milk bottles.
Gabriel Latchin we know from his recent trio recording which we raved about last month and he doesn't let the side down here.
Italian born Lecce is rapidly making a name for himself in this country and justifiably so. Solos are impressive - listen to him on the Bachian Softly as in a Morning Sunrise. When he's put back in the box he remains an integral part of the group.
Steve Brown does what he always does and I don't mean smile although I'm sure he was grinning ear to ear on this session. Even John Lewis himself would, I'm sure, have allowed himself a faint movement of the lips had he been on the gig. No, Steve was laying down a drum masterclass as he invariably does when the going is good.
The going was good on October 14, last year in the Master Chord Studio.
Woddy 'n You; The Golden Striker; La Ronde Suite (3 parts); Autumn in New York; Softly as in a Morning Sunrise; I'll Remember April; Django; Bags' Groove; All of You.
The album will be in the shops and online from September 15 as well as at the launch on Sunday lunchtime at Ronnie's (September 10).
Lance.

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