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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

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13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

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VOTING ENDS ON MAY 14.

Coming soon ...



May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, September 11, 2017

CD Review: Enrico Pieranunzi Trio - Yesterdays.

Enrico Pieranunzi (piano);  Mads Vinding (bass); Alex Riel (drums).
(Review by Lance).
Recorded live in 1997, at the Copenhagen Jazzhouse, and released 20 years later, Yesterdays may seem an appropriate title. However, listening to the Jerome Kern tune of the same name that occupies the first 11:30 of the album, I'd have plumped for Today. The album notes make comparision with Keith Jarrett and maybe there are similarities but, to me, Pieranunzi is much more accessible and he swings. Swings, not in a historical way but in the present time. It may have been recorded 20 years ago but it could have been recorded 20 minutes ago and no one would have known!
Gary Peacock's Vignette is sensitive, explorative and maybe there's a faint suggestion of Bill Evans which is never a bad thing. Vinding's solo would have got the nod from the composer.
Fats may have had a few reservations about the intro to his Jitterbug Waltz - the oft repeated cries of Mercy! that permeated so many of his recordings may have taken on a totally different meaning here! Fortunately, preliminaries over, once the head started rolling, he'd have stopped rolling in his grave and the Mercy would have been an approving one.
A Nameless Date by Pieranunzi. An enigmatic title. Maybe deserving of an explanatory lyric - the tune is well capable of handling one.
If there's a more daunting prospect for me than facing 3 minutes of Summertime then it's being confronted with 12:48 of My Funny Valentine - not funny!
As it turns out, Piernunzi, whilst remaining faithful to the tune (about as faithful as Bluebeard was to his wives...)
does the song proud with some great piano, sound bass and a drummer who's saying: "Rodgers and who?"
Many have told me that My Foolish Heart is their all-time favourite ballad and it's certainly high on my list. Equally, others have claimed the Bill Evans Trio take on the tune to be one of the greatest jazz ballad recordings.
Which leads me to the conclusion that it really is one helluva tune and this version does nothing to suggest otherwise.
Likewise, Howard Schwartz's If There is Someone Lovelier Than You. A new one - to me - demonstrating just how many GASbook items are still waiting to be rediscovered! 
Alex Riel gives it some stick(s) and Mads Vinding does what he does best with the leader rewriting the tune.
Twenty years? I ask you!
Strangely, in 1997, the trio recorded The Kingdom (Where Nobody Dies) which went on to become one of the Stunt Label's all-time 10 best sellers.
Come September [22] Yesterdays will be available on Stunt - STUCD17072 and distributed in the UK by Discovery.
Lance.

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