Bebop Spoken There

Christian McBride: ''I believe we are living in a historically embarrassing moment in American history.'' - Downbeat December 2025

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18061 (and counting) posts since we started blogging 17 years ago. 1025 of them this year alone and, so far, 39 this month (Dec. 14).

From This Moment On ...

DECEMBER 2025

Sat 20: Jazz Attack @ The Glasshouse, Gateshead. 11:00am. Free.
Sat 20: Alexia Gardner @ FIKA Art Gallery, Morpeth. 6:30pm. Gardner, Alan Law, Jude Murphy. SOLD OUT!
Sat 20: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free. CANCELLED!
Sat 20: Ray Stubbs R&B All Stars @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.
Sat 20: Hoodoo Blues @ The Globe, Newcastle. 7:15pm (doors). £14.25, £11.55. Dance class, social dancing, live music & Xmas Party. Live music from 9:00pm - Ruth Lambert, Giles Strong, Ian Paterson & John Bradford (jazz and blues).
Sat 20: John Pope Quintet @ Blank Studios, Newcastle. 7:30-8:30pm. £7.70 (inc. bf). Album recording session.

Sun 21: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. ‘Xmas Swingalong’. Skerritt w. backing tapes.
Sun 21: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00-5:00pm. Free.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Strictly Smokin’ Big Band @ o2 City Hall, Newcastle. 6:00pm. £35.80., £33.25., £31.00.
Sun 21: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music.
Sun 21: Tweed River Jazz Band @ The Barrels Ale House, Berwick. 7:30pm. Free.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. backing tapes.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:30pm. ‘The A Capella Sessions’. Gardner, Paula Gardner, Alexia Hope Gardner Diamany.
Wed 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:30pm. Skerritt w. backing tapes.

Thu 25: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:00pm. ‘All About the Bass Sessions’. Alexia Gardner, Paula Gardner, Jude Murphy.

Fri 26: ???

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free. CANCELLED!
Sat 27: Leeds City Stompers @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.

Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Skerritt w. backing tapes.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Paul Skerritt @ 3 Stories, High St. West, Sunderland. 6:30pm. Skerritt w. backing tapes.
Sun 28: The Society Quartet @ Hilton Garden Inn, Sunderland. 6:30pm. Jason Holcomb & co.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Shalala @ The Globe, Newcastle. 8:00pm. £8.00., £7.00. adv.

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Lil Miss Mary & the Mr Rights Trio @ Billy Bootlegger’s, Newcastle. 2:00pm. Free. ‘Early NYE Bash’. Rockabilly, rhythm & blues.
Wed 31: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. ‘Midnight in Manhattan’ NYE party. £49.46 (inc. bf) & £29.38 (inc. bf).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, September 22, 2017

Courtney Pine: Black Notes from the Deep @ Sage Gateshead - September 21

Courtney Pine (tenor saxophone, bass flute & EWI), Robert Mitchell (piano & organ), Vidal Montgomery (double bass), Robert Fordjour (drums) & Omar (vocals)
(Review by Russell)
Courtney Pine made the journey north ahead of the release of his new album. Sage Gateshead’s jazz and soul fans turned out to hear what he and Omar have been getting up to in the studio.The former Jazz Warrior is currently playing tenor saxophone for the first time in ten years. Would this re-engage some of his long-time fans who were, perhaps, growing tired of his preoccupation with bass clarinet? A half hour delay to the advertised start time encouraged ticket holders to hang in the bar and have another one.
Sage Two’s stage stood ready and waiting; Steinway grand and Korg CX-3 organ to our left, drum kit to the right, centre stage the province of Courtney and Omar. Members of the band walked out onto the stage one at a time. First, pianist Robert Mitchell, acknowledging the applause, drummer Robert Fordjour followed, then bassist Vidal Montgomery. A short pause then Courtney makes his entrance to a hero’s welcome. The ‘on the money’ band hit a groove from the get go. Omar joined the party and, for the most part, remained on stage throughout. Courtney switched between tenor, bass flute and EWI. Omar’s 24-carat vocals confirmed the man as a star – ‘soul’, ‘neo-soul’, name the genre, Omar’s got it down, great voice, simple as. Darker than the Blues featured Omar and a bass flute-playing Courtney. De Ja Vu from Omar’s 2017 album Love in Beats found Courtney on EWI and your reviewer wanting to hear more of the soul voice. Jazz gig? Who cares? Omar’s big hit – There’s Nothing Like This – had the audience singing along. Great voice, a presence, what a treat to hear the man sing!   
Pine’s new album Black Notes from the Deep due to be released on October 27 addresses current issues. A Change is Gonna Come spoke volumes in the 1960s and continues to speak to us today. Pine knows it, so he played it. The rhythm section got the chance to play with all grabbing a solo at some point during the evening. The one set of seventy-five minutes came to an end all too soon. A now standing audience wanted more but they were gone. ’Til next time.                
Russell
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