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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14865 (and counting) posts since we started blogging 14 years ago. 1114 of them this year alone and, so far, 20 this month (Dec. 6).

From This Moment On ...

December

Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 12: Central Bar Quintet plays Kind of Blue @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 13: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).
Tue 13: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, John Pope, John Bradford.
Tue 13: Abbie Finn Trio @ Forum Music Centre, Darlington. 7:30pm. Xmas party.
Tue 13: King Bees @ Cumberland Arms, Newcastle. 8:00pm. Superb Chicago Blues Band.

Friday, September 22, 2017

Courtney Pine: Black Notes from the Deep @ Sage Gateshead - September 21

Courtney Pine (tenor saxophone, bass flute & EWI), Robert Mitchell (piano & organ), Vidal Montgomery (double bass), Robert Fordjour (drums) & Omar (vocals)
(Review by Russell)
Courtney Pine made the journey north ahead of the release of his new album. Sage Gateshead’s jazz and soul fans turned out to hear what he and Omar have been getting up to in the studio.The former Jazz Warrior is currently playing tenor saxophone for the first time in ten years. Would this re-engage some of his long-time fans who were, perhaps, growing tired of his preoccupation with bass clarinet? A half hour delay to the advertised start time encouraged ticket holders to hang in the bar and have another one.
Sage Two’s stage stood ready and waiting; Steinway grand and Korg CX-3 organ to our left, drum kit to the right, centre stage the province of Courtney and Omar. Members of the band walked out onto the stage one at a time. First, pianist Robert Mitchell, acknowledging the applause, drummer Robert Fordjour followed, then bassist Vidal Montgomery. A short pause then Courtney makes his entrance to a hero’s welcome. The ‘on the money’ band hit a groove from the get go. Omar joined the party and, for the most part, remained on stage throughout. Courtney switched between tenor, bass flute and EWI. Omar’s 24-carat vocals confirmed the man as a star – ‘soul’, ‘neo-soul’, name the genre, Omar’s got it down, great voice, simple as. Darker than the Blues featured Omar and a bass flute-playing Courtney. De Ja Vu from Omar’s 2017 album Love in Beats found Courtney on EWI and your reviewer wanting to hear more of the soul voice. Jazz gig? Who cares? Omar’s big hit – There’s Nothing Like This – had the audience singing along. Great voice, a presence, what a treat to hear the man sing!   
Pine’s new album Black Notes from the Deep due to be released on October 27 addresses current issues. A Change is Gonna Come spoke volumes in the 1960s and continues to speak to us today. Pine knows it, so he played it. The rhythm section got the chance to play with all grabbing a solo at some point during the evening. The one set of seventy-five minutes came to an end all too soon. A now standing audience wanted more but they were gone. ’Til next time.                
Russell
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