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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019)..

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15848 (and counting) posts since we started blogging 15 years ago. 855 of them this year alone and, so far, 53 this month (Sept. 18).

From This Moment On ...

September

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: La Malbec Orchestra @ The Globe, Newcastle. 8:00pm.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 21: Linsday Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm. Free.
Thu 21: Ray Stubbs R & B All Stars @ The Schooner, Gateshead. 8:30pm. Free.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 22: Brief Encounter @ Bardon Mill Village Hall, Northumberland. 7:00pm. Tickets: £10.00. adv from 07885 303166; £12.00. on the door. Chris & Veronica Perrin improvising to a screening of the 1929 'Jazz Age' silent film Piccadilly (Dir. Ewald André Dupont).
Fri 22: Paul Edis & Graeme Wilson + Three Tsuru Origami @ Jesmond United Reformed Church, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 22: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 22: Abbie Finn's Finntet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 23: Tyne Valley Big Band @ Tanfield Railway, Gateshead. 2:00-4:00pm. Free. A '1940s Weekend' event.
Sat 23: Jason Isaacs @ Stack, Seaburn. 3:30-5:30pm. Free.
Sat 23: Andrew Porritt & Keith Barrett @ Cullercoats Watch House, Front St., Cullercoats NE30 4QB. 7:00pm.
Sat 23: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. Free. A 'Jar on the Bar' gig. Country blues.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 7:00pm.

Tue 26: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Sunday, December 25, 2016

Memories of Jazz on a Sunday Afternoon. Part One - The Bluebell, Felling.

The first Sunday lunchtime jazz I encountered was, circa 1960 at the Bluebell pub in Felling. At the time I was playing cornet in a brass band (saxophone was lurking on the horizon..) I'd been playing with the band at the Durham Miners Gala and chilling out (sobering up) in a local CIU club. A guy came up and said, "Can I borrow your cornet?) "Okay" I replied, thinking, odds on Oh Mein Papa.
Was I wrong! He blew At the Jazz Band Ball better than Freddy Randall! Afterward, after I'd complimented him on his playing, he invited me to hear him really play and to come along to the Bluebell, a pub in Felling the following Sunday morning.
Despite a massive hangover (obligatory after a Durham Miners' Gala) I turned up and wasn't disappointed.
This was the late Teddy Langston (on the the left of the picture - I'm the guy on the right). A trumpet player who, like Kenny Baker, could cut it with both jazz group and brass band. These days most guys can but, back then, there was a great divide. Also in the band was Arthur Luke on trombone and double bass. Arthur had been with Henry Hall, I'd went to school with his daughter, and he could play That's a Plenty on trombone manipulating the slide with his feet.
The band had Arthur's nephew Billy Luke on piano, Ray Johnson on guitar and Jimmy Stephenson on drums.
They played great together yet all hated each other! Perhaps that was what made the music so good - competition.
Pro players from the Oxford Galleries would drop by looking for an easy jam and find it was anything but easy to cut these guys!
When the differences between them became too great they split and some younger guys moved in. These included Brian Chester, Jimmy Stewart, Ronnie Young and Gordon Solomon. All of whom would feature in other Sunday lunchtime sessions elsewhere... (To be continued)
Lance.

4 comments :

Brian Bennett said...

Have you still got your tartan jacket, Lance? Collector's piece!

Lance said...

We had two sets. A blue tartan and a red tartan. I've still got the red tartan. That particular photo was taken in 1975 at Feathers caravan park club at Whitley Bay. We were the Lighthouse Show Band - not to be confused with the Lighthouse All Stars in L.A. As if there could be any confusion!

Brian said...

Wow! You must show it off sometime! Knock em' dead at the Jazz Caff!
Coincidently, I also played a Friday night session in 'The Galleon' club at Feathers in the early 70's. 6-piece trad band which included Biff Smith, cornet; Martin Simon, tenor and Brian Sibbald, bass. Lots of 'happy' Scots holiday makers stumbling around the dance floor - their favourite dance was a kind of line dance called 'The Slosh'. Happy days!

Lance said...

Yes it was popular with Scottish holiday lasses many of whom (I'm told) said 'Och aye'. The audience changed every couple of weeks so you didn't have to worry about learning new tunes. I remember 'The Slosh' which was around the time sequence and line dancing started to take hold and the once triumphant quicksteps and foxtrots were dealt the death blow that had begun some years previous with The Twist.
With the advent of 'Strictly Come Dancing' the ballroom has once more become a focal point although I don't recall seeing much dancing like that at Felling Palais or Jarrow Store Hall!
Come in Len Goodman!

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