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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 05, 2016

Kathryn Williams & Anthony Kerr @ The Globe: December 4

Kathryn Williams (vocals, guitar); Anthony Kerr (vibes)
(Review by Ann Alex).
Definitely the most unusual, freshest take on the Gasbook that I’ve heard this year, in fact for a long time. The voice was entrancing, sweet, with strong lower tones and the songs were sung with passion and heartfelt emotion. Ms. Williams is known as a contemporary folk singer and I’d go as far as to say that she brought to the songs a certain folk-like innocence which made this listener feel as if she was hearing the songs for the first time. This was partly achieved because the singer sang in English rather than with American intonation and language, for instance, ‘since my man and I aren’t together’ (not ain’t). The song was definitely the thing in this performance.
All was apparent simplicity, a stripped back performance. The vibes accompaniment was fittingly spare with just a few short solos and the songs were kept short, sometimes with no repeats. The audience gave the performance rapt attention as they soon realised that they may get just one chance to hear the words. A new way to perform these songs, which included, You Don’t Know What Love Is; My Funny Valentine; Every Time We Say Goodbye; I’m A Fool To Want You; Like Someone In Love; The Very Thought Of You; The Man I Love; Sweet Embraceable You; Stormy Weather; Autumn Leaves.
The gig actually began with a short set of the type of songs which I guess Ms. Williams’ audiences are more used to hearing. She accompanied herself on guitar, doing tunes on various subjects such as refugees, rock stars who are no longer with us, and tender love songs with skilled lyrics, such as ‘loneliness was never a part of us’.
Another great night at the Globe.
Ann Alex  

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance