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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Sat 21: Lindsay Hannon Quartet @ Central Bar, Gateshead. 2:00pm. £15.00. ‘Swinging with Christmas Songs’.
Sat 21: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 21: Jackson’s Wharf Xmas Party @ Jackson’s Wharf, Hartlepool. 7:00pm. Free. Featuring the New ’58 Jazz Collective.
Sat 21: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

Sun 22: Hot Club du Nord @ The Globe, Newcastle. 1:00pm. £15.00. + bf. Xmas party. SOLD OUT!
Sun 22: Red Kites Jazz @ Gibside Chapel, nr. Rowlands Gill. 1:00pm. Admission charge applies.
Sun 22: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 22: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Revolutionaires @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. Superb rhythm & blues outfit.
Sun 22: Laurence Harrison, Paul Grainger & Mark Robertson @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Line-up TBC.
Sun 22: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music (musicians TBC).
Sun 22: Ray Stubbs R & B All-Stars @ Zerox, Sandhill, Newcastle. 7:00pm (doors).

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free. TBC.
Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. TBC.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 15, 2015

R.I.P. BB King

BB King died yesterday (May 14) in Las Vegas - he was 89.
Guitarist, singer, icon, BB was one of the few who crossed the genres and was loved by all. Primarily a bluesman, he also moved in rock and roll circles as well as being not unknown amongst the jazz fraternity.
I saw him live at the North Sea Jazz Festival at the Hague back in the 1980s but my biggest memory was at the same festival when I didn't see him but most certainly heard him.
It was a hot July day and BB was performing inside a marque. All tickets were sold but, by sitting on a grassy knoll outside (a bit like Henman Hill or Murray Mound at Wimbledon), the sound came across loud and clear. A glass of bessenjenever (a Dutch blackcurrent gin), a plate of Maatjesharing (pickled raw herring) and the greatest blues singing of the later 20th century was as near to Shangri-la as I've known.
May he Rest In Peace.
Lance.
(Photo courtesy of Andy Hudson - see comments - taken at Capital Jazz Festival)

2 comments :

Andy Hudson said...

Very sad ref BB King- One of the last of the legends that I had the privilege of working with in the 70s and 80s. He was always the perfect gentleman and an efficient ultimate artiste, non-fussy , non-demanding , no whinges about riders or any such nonsense.

He just hit the stage with his trusty “Lucille” and played and sang (Lucille of course being the guitar –for aficionados was originally a Gibson L-30 – This morphed over time so that Gibson eventually produced their own “Lucille” model for general release).

When I left the North East in 79, after producing that Middlesbrough Jazz event at Ayresome Park, He was a headliner in the first Alexandra Palace Jazz Festival along with Muddy Waters, Chuck Berry, Hampton, Dizzy and many more. He continued to be a regular in our festivals into the 90s. Always a joy to work with, watch and listen to. Will be much missed

Maurice Summerfield said...

In his autobiography B.B. King talks about his favourite guitarists and says - for example 'Id listen to records by Barney Kessel, the great jazz guitarist who played at many Jazz at the Philharmonic concerts, and my jaw would drop. I was awe struck by the structure of his ad-libs. He had the gift of being complicated and simple at the same time. His amplified voice on guitar had a calm beauty that felt like poetry. I followed Barney Kessel's musical stories like a kid following a fairy-tale.

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