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Bebop Spoken There

Giovanni Guidi: "So many jazz albums today are all original compositions, and five minutes after the record is finished, you can't remember a single song. I think it's a problem." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday October 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Aurora - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student). Zoë Gilby, Noel Dennis & co play the music of Tom Harrell.

No Fox - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Darlington Big Band - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Gerry Richardson Jazz Quartet - Hoochie Coochie, 54 Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (doors 7:00pm). Free.

Blues/Soul/Funk

Holy Moly & the Crackers - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AE. Tel: 01642 674115. 7:30pm. £12.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 16, 2015

CD Review: Buddy Rich - Birdland

(Review by Russell).
A 2015 Oscar nomination, the ongoing demand for posthumously released Buddy Rich material and private on-the-road recordings made by a keen (prescient?) band member. Birdland represents the Buddy Rich band in concert during the latter half of the 1970s. Eleven tracks recorded on tour at unspecified locations (some at Birdland?), the lack of   discography matters little.
The private recordings are those of Alan Gauvin. In his excellent notes accompanying Birdland the saxophonist readily acknowledges the lo-fi quality of the recordings. The life of a touring musician – travel, hotel, soundcheck – didn't afford him the luxury of achieving professional standard recordings: I started out recording on a Sony portable tape deck/AM/FM console with built in speakers and external mike inputs and a thirty dollar Radio Shack stereo mike placed right up in front of the sax section. Years later Gauvin is now able to make available these recordings to the Buddy Rich fan base.
Alan Gauvin reveals that he got along just fine with Buddy Rich. He witnessed volcanic temper tantrums and lived to tell the tale! The Oscar-winning Whiplash gave an impetus to the release of Birdland. Digital downloads exceeded expectations and the CD format will be released on May 25 (a vinyl LP is scheduled for a release on June 22 - now that would be nice!). Rich gave his blessing to Gauvin recording concert performances (had he heard the results it may have been a different matter!) and we should be grateful that the Buddy Rich archive is enhanced with the addition of Birdland.
Mexicali Rose opens the CD and it is immediately apparent that the sound quality isn't that of twenty first century studio recordings. The band sound is listenable (the vitality one associates with any Rich outfit is evident), the soloists’ contributions (great as they undoubtedly are) suffer in terms of being off-mic. This doesn't detract from the listening experience. In fact, it makes one listen all the more intently. The band’s featured tenor sax soloist Steve Marcus can be heard (he produced a big sound fitting for the Rich band) and others are clearly identifiable; Gauvin himself (alto) on Milestones, Turk Mauro (on God Bless the Child, Bob Mintzer on Moment’s Notice (it should be noted that Mintzer is on this track only) and the ‘Killer Force’ trumpet section (Dave Stahl, Dean Pratt and Ross Konikoff with either Jon Marshall or Waynon Reed) hit the rafters on Three Day Suckers.
Buddy Rich does play a couple of trio features (he wasn’t totally intent on blowing away the audience) with Just Friends and I Hear a Rhapsody but it is, of course, the sheer thrill of one of the great big bands roaring at the behest of it’s leader that makes Birdland an essential purchase. Buddy Rich Birdland is released on May 25 on Lightyear/Lobitos Creek Ranch (catalogue no. 5365646223).              
(Russell).
Buddy Rich (drums/bandleader), Alan Gauvin (alto & soprano saxophones, flute), Bill Blount (alto saxophone), Frank Basile (alto saxophone), Steve Marcus (tenor & soprano saxophones), Bobby Mintzer (tenor saxophone & flute), Turk Mauro (baritone saxophone), Rick Stepton (trombone), Dale Kirkland (trombone), David Boyle (trombone), Dave Stahl (trumpet), Dean Pratt (trumpet), Ross Konikoff (trumpet), John Marshall (trumpet), Waymon Reed (trumpet), Barry Keiner (piano), Tom Warrington (bass guitar) & Jon Burr (bass guitar) + various tracks Chuck Wilson (alto saxophone), Gary Pribek (tenor saxophone), Dave Kennedy (trumpet), Chuck Schmidt (trumpet), John Mosca (trombone), Clint Charmin (trombone) & Ed Eby (trombone).   

2 comments :

Jacob Morrison-Wood (Wienerworld) said...

A fantastic review – please pass on our thanks and appreciation to Russell..

Anonymous said...

Thanks for the post I purchased the CD digitally from Amazon and there are no liner notes. This is a good representation of Buddy's work and Keiner was a great pianist.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance