(Review/photos courtesy
of Ken Drew)
A two-Set “Women Make Music” JNE presentation was received with much
anticipation heralding, as it did, the return of Sarah Gail Brand - resulting in
a decent sized audience.
Sarah Gail Brand (trombone); Mark Sanders (drums).
These guys need no introduction – although Sarah’s rare visits to
Tyneside make this a near possibility - unless your memory takes you back to
2007. It was noted that her longest established and most empathetic musical
relationship is with drummer Mark Sanders, although, sadly for us, they’ve
never appeared on Tyneside as a duo until now. However, Mark performed at the
GIJF in 2014 and, prior to that, with Paul Dunmall’s group at Cluny2.
But it was straight in at the deep end for Sarah, leading with a
multitude of rhythms, sounds, gasps and much physical excursion,
with Mark following her every move through what appeared to be putting the
trombone (and her own technique) through its paces. She combines most enthusiastically an
abstract approach to melody along with a tone that varies between great purity
and earthiness, but always sonorous. The duo seemed perfectly aligned and always in-sync
whilst each giving the other space to express and explore. The array of
sounds from Sarah was expertly matched by Mark’s equally large array of
‘devices’ which complement the drum kit at which he sat (well, most of the
time). Three separate pieces came from the duo - each full of energy
and intrigue, always twisting and turning yet flowing seamlessly. A veritable
Masterclass disguised as yet another Free Improv gig in Newcastle.
But the musicianship and the audience’s overall delight gave that one away!
-----
Faye MacCalman (sax); Pete Curry (piano); John Pope (bass); Christian
Alderson (drums)
The first set was also eagerly anticipated giving exposure to a new
local ‘4tet’. Whilst Faye had performed recently on the same stage (with
bass and electronics) prior to Linda Sharrock’s excellent performance earlier
this month, this was their first outing as a unit – but you really would not
have guessed that. Nor would you guess (why would you?) that Faye is
about to finish her degree and then take that big step into full time
music. The piece they performed worked well throughout.
Mostly led by Faye’s eminently confident sax playing, and occasionally driven
by the bass – sometimes rhythmically and other times by loud interjections from
one of his strings. The keys were solid in their support, and the drums
were at least that, if not also a pre-cursor to what would follow in the next
set. Overall, I couldn’t say what the style was – apart from nicely (and
sometimes surprisingly) varied and truly Improv from start to
finish. Nice one guys – well done!
Ken Drew.
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