Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 24, 2015

Ella El-Salahi @ King’s Hall. April 23

(Review by Russell).
Final year music student Ella El-Salahi sang at this week’s Thursday afternoon student performances session in King’s Hall, Newcastle University. The Newcastle University Jazz Orchestra vocalist performed two numbers – Angel Eyes and Omar’s The Man. On the first tune El-Salahi worked in the company of tenor saxophonist Faye MacCalman (herself a final year undergraduate). Expressive in voice, rich timbres, confident.

MacCalman’s work done, El-Salahi invited Jamie Lawson to join her on The Man. The pianist (another accomplished final year student) provided accompaniment on Omar’s soulful song. Omar has star appeal and so does Ella. She wrought every ounce of heart-felt passion from the tune. Yes, Ella, you’re a star.
The four o’clock hour long performance set featured several other student contributions including a flamenco-inspired group with a strings section, a live coding set (Apple Mac) and, as a finale, ear plugs were handed out for Andrew Richardson’s Snails with Nails. A worried-looking crowd made use of the plugs, your reviewer would have none of it. Drums, guitar and bass. Masks and painted faces, the trio attempted to blow apart the venerable seat of learning. Motorhead/Slayer/Death Metal/ Noise, bouncing around, jumping off an amp, head-banging, constant feedback, it was loud, but it wasn’t that LOUD. Pardon me?
Lifeless, sheet-white painted zombies joined the naughty boy rockers, standing eerily still until the destructive end game. Richardson smashed his drum kit to pieces (sort of), guitar thrown to the floor, feedback crackling, in rushed men in white coats to cart-off the boys to the mad house. Good fun. Does mummy know what you get up to at Uni?
The Final Year Recitals are scheduled for next month (May). The good news is that most of the jazz students will perform not on campus but at the Jazz Café on Pink Lane. Open to the public, free admission, recommended. Stay tuned to Bebop Spoken Here for details nearer the time.   

Russell.      

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