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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, April 29, 2015

JNE/Schmazz: We Free Kings @ Jazz Café - April 28

Toby Greenwood (ten); Simon Beddoe (flug); Kevin Holbrough (tmb); Jamil Sheriff (keys); Richard Hammond (bs); Dave Walsh (dms).
(Review by Lance/Photo courtesy of Ken Drew).
A musically faultless performance by this band from Leeds - do bands ever come from anywhere else but Leeds these days?  Admittedly they didn't hit the deck running - with an audience described by Paul Bream as discerning (AKA absent) -  a low key start was inevitable. However, a Wayne Shorter inspired original by one of the monarchs (Greenwood, his crown a snappy, narrow brimmed fedora) moved up through the gears and it was game on.
Sheriff, a frequent visitor to these parts, we know as an imaginative and harmonically aware player and never was this more evident than tonight. His work, in conjunction with the equally impressive bassist Hammond, was outstanding.
Greenwood, as lyrical as Stan Getz and as forward thinking a tenor player as Wayne Shorter, also writes and arranges the material which is often in the Mingus mode.
Bedoe, his coronet a  flat cap, blew flugel, quite frugal at first but, as the evening progressed, he was really wailing and on the final number (the only non original) Secret Love he had a good old, no holds barred, blast.
Holbrough, fresh from Darlo Festival where he and Sheriff formed part of the Simon Read Octet, was equally effective. His tone, smooth but with a cutting edge, the sound many trombone players would (hypothetically) give their right arm for.
Behind it all, Walsh did the woodchopping, bulldozing, piledriving, pneumatic drilling that contemporary drummers do but with a difference - he incorporated sensitivity and subtlety into the mix.
To those that weren't there - hang your heads in shame. However, as Officer i/c Raffles Bream pointed out, their absence shortened the odds against those present winning which was proven when, not only did I win but Young Pam sitting next to me also won. The prizes? a CD of your own choice from the fabled Bream Collection. I opted for Norma Winstone's Well Kept Secret. Pam's choice, at this moment in time, is also a well kept secret. 
Raffle apart, the real winners were those that made the well deserved effort to hear a splendid band.
Lance

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