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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 29, 2015

JNE/Schmazz: We Free Kings @ Jazz Café - April 28

Toby Greenwood (ten); Simon Beddoe (flug); Kevin Holbrough (tmb); Jamil Sheriff (keys); Richard Hammond (bs); Dave Walsh (dms).
(Review by Lance/Photo courtesy of Ken Drew).
A musically faultless performance by this band from Leeds - do bands ever come from anywhere else but Leeds these days?  Admittedly they didn't hit the deck running - with an audience described by Paul Bream as discerning (AKA absent) -  a low key start was inevitable. However, a Wayne Shorter inspired original by one of the monarchs (Greenwood, his crown a snappy, narrow brimmed fedora) moved up through the gears and it was game on.
Sheriff, a frequent visitor to these parts, we know as an imaginative and harmonically aware player and never was this more evident than tonight. His work, in conjunction with the equally impressive bassist Hammond, was outstanding.
Greenwood, as lyrical as Stan Getz and as forward thinking a tenor player as Wayne Shorter, also writes and arranges the material which is often in the Mingus mode.
Bedoe, his coronet a  flat cap, blew flugel, quite frugal at first but, as the evening progressed, he was really wailing and on the final number (the only non original) Secret Love he had a good old, no holds barred, blast.
Holbrough, fresh from Darlo Festival where he and Sheriff formed part of the Simon Read Octet, was equally effective. His tone, smooth but with a cutting edge, the sound many trombone players would (hypothetically) give their right arm for.
Behind it all, Walsh did the woodchopping, bulldozing, piledriving, pneumatic drilling that contemporary drummers do but with a difference - he incorporated sensitivity and subtlety into the mix.
To those that weren't there - hang your heads in shame. However, as Officer i/c Raffles Bream pointed out, their absence shortened the odds against those present winning which was proven when, not only did I win but Young Pam sitting next to me also won. The prizes? a CD of your own choice from the fabled Bream Collection. I opted for Norma Winstone's Well Kept Secret. Pam's choice, at this moment in time, is also a well kept secret. 
Raffle apart, the real winners were those that made the well deserved effort to hear a splendid band.
Lance

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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