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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Monday June 18

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 29, 2015

JNE/Schmazz: We Free Kings @ Jazz Café - April 28

Toby Greenwood (ten); Simon Beddoe (flug); Kevin Holbrough (tmb); Jamil Sheriff (keys); Richard Hammond (bs); Dave Walsh (dms).
(Review by Lance/Photo courtesy of Ken Drew).
A musically faultless performance by this band from Leeds - do bands ever come from anywhere else but Leeds these days?  Admittedly they didn't hit the deck running - with an audience described by Paul Bream as discerning (AKA absent) -  a low key start was inevitable. However, a Wayne Shorter inspired original by one of the monarchs (Greenwood, his crown a snappy, narrow brimmed fedora) moved up through the gears and it was game on.
Sheriff, a frequent visitor to these parts, we know as an imaginative and harmonically aware player and never was this more evident than tonight. His work, in conjunction with the equally impressive bassist Hammond, was outstanding.
Greenwood, as lyrical as Stan Getz and as forward thinking a tenor player as Wayne Shorter, also writes and arranges the material which is often in the Mingus mode.
Bedoe, his coronet a  flat cap, blew flugel, quite frugal at first but, as the evening progressed, he was really wailing and on the final number (the only non original) Secret Love he had a good old, no holds barred, blast.
Holbrough, fresh from Darlo Festival where he and Sheriff formed part of the Simon Read Octet, was equally effective. His tone, smooth but with a cutting edge, the sound many trombone players would (hypothetically) give their right arm for.
Behind it all, Walsh did the woodchopping, bulldozing, piledriving, pneumatic drilling that contemporary drummers do but with a difference - he incorporated sensitivity and subtlety into the mix.
To those that weren't there - hang your heads in shame. However, as Officer i/c Raffles Bream pointed out, their absence shortened the odds against those present winning which was proven when, not only did I win but Young Pam sitting next to me also won. The prizes? a CD of your own choice from the fabled Bream Collection. I opted for Norma Winstone's Well Kept Secret. Pam's choice, at this moment in time, is also a well kept secret. 
Raffle apart, the real winners were those that made the well deserved effort to hear a splendid band.
Lance

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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