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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Tuesday August 22

Afternoon
??????
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 03, 2015

CD Review: Paul Riley Quintet - Into View

Paul Riley (alt/sop); Ant Law (gtr); Mitch Jones (pno); Matt Ridley (bs); Dave Hamblett (dms).
(Review by Lance).
Paul Riley, described by Russell van den Berg, as "a sheer joy to listen to, and a sleeping giant" has, until now, been off my radar. 
Not any longer!
A sleeping giant probably is an apt description as this, his debut album, indicates that while he may not - yet - be Goliath he's certainly no midget!
Very much a part of the London scene, Riley is no mere follower of fashion but a lyrical and innovative player producing music that compels you to listen without jarring the senses like some of the current crop of angry young men do.
Don't get me wrong! This is the UK jazz of today and it swings (if that isn't a dirty word these days) in the sense that the pulse is never far away - albeit not where it used to be!
Eleven compositions by Riley that, whilst they may never have lyrics added to them. do have a sense of form. The ballads - Song for Laura and Looking Back - could, just by their titles, prove the exception. Gorgeous to hear such lyrical playing in this often harsh musical world.
With Ant Law blowing unison guitar on many of the 'heads' you quickly realise that this is a band who share a mutual empathy. Ant's solos indicate why he is held in such high regard by many and Riley surely couldn't have wished for a better partner to blow alongside and, maybe, buy the beers after the session.
The rhythm section keep the frontliners in check and this contributes to an overall CD that could be the dark horse in this month's choice!
The band's tour, starts at Ashburton (April 12); then St. Ives (April 14) - a couple of weeks to chill out from their hectic schedule before heading up to NEWCASTLE for a gig at the Lit and Phil (April 27). After that it's all downhill to Liverpool (28); Bournemouth (29); Poole (30) and Bristol (May 1)
Catch them at one or all of them!
Lance.
The CD: Paul Riley Quintet - Into View is available from April 6. for further info visit www.jellymouldjazz.net. 
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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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