Total Pageviews

Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, April 03, 2015

CD Review: Paul Riley Quintet - Into View

Paul Riley (alt/sop); Ant Law (gtr); Mitch Jones (pno); Matt Ridley (bs); Dave Hamblett (dms).
(Review by Lance).
Paul Riley, described by Russell van den Berg, as "a sheer joy to listen to, and a sleeping giant" has, until now, been off my radar. 
Not any longer!
A sleeping giant probably is an apt description as this, his debut album, indicates that while he may not - yet - be Goliath he's certainly no midget!
Very much a part of the London scene, Riley is no mere follower of fashion but a lyrical and innovative player producing music that compels you to listen without jarring the senses like some of the current crop of angry young men do.
Don't get me wrong! This is the UK jazz of today and it swings (if that isn't a dirty word these days) in the sense that the pulse is never far away - albeit not where it used to be!
Eleven compositions by Riley that, whilst they may never have lyrics added to them. do have a sense of form. The ballads - Song for Laura and Looking Back - could, just by their titles, prove the exception. Gorgeous to hear such lyrical playing in this often harsh musical world.
With Ant Law blowing unison guitar on many of the 'heads' you quickly realise that this is a band who share a mutual empathy. Ant's solos indicate why he is held in such high regard by many and Riley surely couldn't have wished for a better partner to blow alongside and, maybe, buy the beers after the session.
The rhythm section keep the frontliners in check and this contributes to an overall CD that could be the dark horse in this month's choice!
The band's tour, starts at Ashburton (April 12); then St. Ives (April 14) - a couple of weeks to chill out from their hectic schedule before heading up to NEWCASTLE for a gig at the Lit and Phil (April 27). After that it's all downhill to Liverpool (28); Bournemouth (29); Poole (30) and Bristol (May 1)
Catch them at one or all of them!
Lance.
The CD: Paul Riley Quintet - Into View is available from April 6. for further info visit www.jellymouldjazz.net. 

No comments :

Blog Archive