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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Wednesday July 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Steve Glendinning - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Whiplash - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 7:30pm. £5.00. Screening of Damien Chazelle's award-winning film.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Darlington Big Band - Darlington & Simpson Rolling Mills Social Club, Longfield Road, Darlington DL3 0HX. Tel: 01325 380401. 8:00pm. Free.

Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 27, 2015

Darlington Jazz Festival. April 25: Bruce Adams & Al Wood with the Durham Alumni Big Band + Durham County Youth Big Band

(Review by Russell).
The Central Hall in the Dolphin Centre has been described as a palais de danse. Built on civic pride, ornate chandeliers illuminate the grand setting as concertgoers ascend the red carpeted staircase. Function suite tables dressed in linen table cloths, flowers decorating a candlelit scene. A posh ‘do’? Nothing of the sort, this was a big band session Darlington-style!
All seats (265 of them) were sold. The Durham County Youth Big Band opened the show with a Matt Roberts’ arrangement of Mercy! Mercy! Mercy! The young musicians on the stage won applause for each and every solo effort. An abundance of talented, enthusiastic musicians were heard in all sections of the band. A Sammy Nestico arrangement of Satin Doll held no fears and a rousing St Louis Blues got the audience going. The band played This Can’t Be Love a matter of three weeks after seeing the parts for the first time at one of its regular rehearsal nights. This public premiere on such an auspicious occasion could have fallen apart but the Durham County Youth Big Band rose to the task in fine style.
The Durham County Alumni Big Band is the band to which many of the youthful players will undoubtedly graduate. The senior band took to the stage in ‘black tie’ attire. The two guest artists working with the band – Bruce Adams and Al Wood – were similarly booted and suited. Al Wood, multi instrumentalist and life-long educator put the band through its paces, expecting the best and that’s what he got. So many highlights; Alex Baker on Lady Day (magisterial), Neal Hefti’s Cute featuring Stephen Fletcher’s fine brushwork, pianist
Dean ‘Basie’ Stockdale spot-on with All of Me and Hank Mobley’s Funk in Deep Freeze putting the rhythm section to work with Adams and Wood. Trumpeter Jonny Dunn made his way down to the front of stage to give it a blast on Take the A Train. A blast!
Of course the star guests stepped-up. A Marty Paich arrangement of Bernie’s Tune heard Al wood at his best on alto. Bruce Adams played trumpet and flugelhorn. On the latter he impressed with a powerful solo on Black Orpheus and an exquisite Moonlight in Vermont in contrast to his trumpet excursions. Now, these were something else! The decibel count rose on Once I Had a Secret Love (rattling the chandeliers) and superb stratospheric work on At Last (metaphorically) brought the house down. Two numbers made the night. First, trumpeter Matthew Robinson joined Adams to play What’s New? Nerves of steel, young Robinson did himself proud. Mr Adams shook hands with Mr. Robinson - that says it all. Finally, trumpeter Tom Hill had the task of standing toe to toe with Adams on Memoiries of You. Adams played impossibly high stuff. Would the young man be able to respond? A heart-stopping moment…then Hill nailed it! Adams, impressed, shot for the stars. Could Hill do it again? You bet! The two of them went way beyond the stars time and again. A handshake. You wouldn’t believe the applause. For the first and only time during the evening Adams spoke to the audience. He said the future of jazz was in safe hands with young musicians of this calibre snapping at his heels. A grand night, grand surroundings, Darlington Jazz Festival just gets better and better.   
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance