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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Wednesday August 23

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.
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Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 13, 2015

GIJF DayThree: Loose Tubes + Andy Sheppard & Rita Marcotulli

(Review by Russell)
The last day of the Gateshead International Jazz Festival, the final concert in Hall One at Sage Gateshead, featured the reformed twenty one piece big band Loose Tubes. Festival Director Ros Rigby introduced the band and in so doing asked of the audience: Who had heard the band previously? Many in the hall had indeed heard the band first time around – some thirty years ago. Those who hadn't were in for a new experience.
Some things never change – Django Bates (hat firmly on head), flautist Eddie Parker (an ‘eccentric’ pair of striped trousers – possibly the same pair from thirty years ago!) and an infectious enthusiasm. MC Ashley Slater cracked the jokes (band mates the butt of them) and, tellingly, frequently acknowledged the ‘boys’ in the band were no longer that. Paul Taylor, standing alongside Slater, was the band’s ‘resident northern git’ and others didn't escape his ire.
Yellow Hill (comp. Django Bates) opened the show. It was as if they’d never been away. The same instantly recognisable anarchic/chaotic ensemble sound. The Chris Batchelor composition Would I Were sounded fresh yet familiar. Batchelor soloed, so too guitarist John Parricelli. Newer material festured such as Batchelor’s Creeper and Django Bates’ Like Life (heard on Dancing in Frith Street from 2010). Loose Tubes prospered on being out of left field, now, 2015, where do they stand? Eddie Parker couldn't resist a sideways swipe at the state of the global village. Was it rage or weary acceptance? The music is, or should be central to any performance and Loose Tubes certainly let the music do (most) of their talking. The multi-layered ensemble textures, the solo spots observing big band convention, the spotlighted one standing out front.
One extended set seemed to satisfy the adoring Gateshead audience. Earlier saxophonist Andy Sheppard played for three quarters of an hour in the company of his accomplished Italian partner Rita Marcotulli. The duo clearly delighted in working together. 
Russell.         
Django Bates (keyboards & tenor horn), John Parricelli (guitar),Julian Arguelles (baritone saxophone), Mark Lockheart (tenor saxophone), Julian Nicholas (tenor saxophone), Steve Buckley (alto & soprano saxophones), Iain Ballamy (soprano saxophone), Eddie Parker (flute), Dai Pritchard (clarinet, bass clarinet, flute), Dave DeFries (trumpet), Noel Langley (trumpet), Chris Batchelor (trumpet), John Eacott (trumpet), Ashley Slater (trombone), Paul Taylor (trombone), Richard Pywell (trombone), Richard Henry (bass trombone), Dave Powell (tuba), Steve Watts (double bass), Louise Peterson Matjeka (percussion) & Martin France (drums)
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Andy Sheppard (tenor & soprano saxophones) & Rita Marcotulli (piano). 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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