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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Wednesday, December 17, 2014

CD Review: Keith Jarrett/Charlie Haden/Paul Motian – Hamburg '72

Keith Jarrett (piano, soprano saxophone, flute, percussion); Charlie Haden (double bass); Paul Motian (drums, percussion).
(Review by Hugh)
The Trio with Charlie Haden and Paul Motian was Keith Jarrett's first great band. This recording is of the trio playing live at NDR Funkhaus, Hamburg in July 1972. This concert was part of the first European tour for this trio, organised by ECM. Manfred Eicher returned to the original analogue sources 42 years later, remixing the music first recorded by NDR, together with engineer, Jan Eric Kongshaug. It is somewhat poignant that this work took place the day after Charlie Haden's death.
The CD has six tracks, coming in at just over 55 minutes in total. The first track, Rainbow, is composed by Margot Jarrett. It commences with Jarrett's solo piano. I thought I detected a cough (usually forbidden in Jarrett concerts!) from the audience early on in the recording, until I realised the sudden sharp release of breath was probably the man himself. He is joined later by Haden and Motian in a supportive role but subtly integral to the whole music – this is the trio at it's best.
The next four tracks are Keith Jarrett's own compositions. Everything that Lives Laments commences as a lively duo between Charlie Haden on bass and Paul Motian on percussive instruments that bear a striking resemblance to Swiss cow bells. This is overlain with the flute of Keith Jarrett, alternately blown conventionally and then vocalised through. This is a strange kind of jazz, and to some perhaps not even music. Approximately two-thirds of the way into the piece the Alpine scene develops broader vistas as the Jarrett's sweeping pianism takes over. We now enter the land of slow chord progressions with a gentle undercurrent provided by Haden's bass and Motian's drums.
Piece for Ornette initially features Jarrett on skilful soprano sax with vigorous rhythmic support from the bass and drums of his colleagues. This interplay continues for a full seven and one half minutes (the sweat is almost tangible!) before slowing to allow Haden's bass to come to the fore, with background support from Motian on drums. The piano does not feature in this track – but appears as the third track segues seamlessly into the fourth. Take me Back returns us to the more conventional trio format (with Jarrett on piano and grunts). Life Dance appears almost unannounced, again featuring the regular trio line-up. All three are on top form throughout.
By far the longest track on the CD, at just over 15 minutes is Haden's Song for Che and is Jarrett's only recording of this piece. Naturally the bass features prominently from the beginning, with improvisational interplay of piano, drums and various percussive instruments. Jarrett again takes to soprano sax, with a haunting melancholic quality at times offset by a more earthy, primaeval sound accompanying the rhythmic, almost African style drumming of Motian. According to the publicity, Song for Che has become a new jazz classic – I'm sure it may well have, but not in this version, I think!
When this CD arrived on my desk, I was greatly looking forward to hearing it – it was actually on my Christmas list anyway. Having listened to it a few times it has grown on me. There are moments of pure beauty - Rainbow in particular – interspersed with a strange improvisatory melange, which can probably only be really appreciated in the live setting. Where the applause is left in the edit, the audience of '72 certainly seem to be enjoying it.
Hugh.
Hamburg '72 has been released on the ECM Label, Catalogue Number 470 4256.

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