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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, July 10, 2014

"Ned Kelly's Hot Shots" @ The Millstone, South Gosforth.

Colin Aitchison (tpt/vcl); Franco Valussi (clt); Barry Soulsby (clt/alt/vcl); Laurence McBriarty (tmb); Brian Bennett (bjo/vcl); Bill Colledge (bs); Fred Thompson (dms).
(Review by Lance/photos by Jeannie Aitchison).
With the majority of the band sporting Ned Kelly * tee shirts, the Vieux Carré Jazzmen became, for this week only, "Ned Kelly's Hot Shots". And "Hot Shots" they were with Valussi and Aitchison (AKA "Our Man in Hong Kong") leading the line. Italian born Valussi, resident in Hong Kong since 1995, spent much of his early working life as a successful cartoonist before 'kicking old Buddah's Gong" and settling in Hong Kong. Regrettably we didn't get to hear his tenor playing on this trip but his clarinet playing proved him to be a top class stylist with more than a hint of BG in his solos.
Colin, whom I've known for many many years, is playing superbly in the dixie/swing style so beloved of his late dad. The phrasing, the ideas, are reminiscent of Hughie's but the tone is bolder and brassier - a good place to be for a horn man. He sings, he swings, he puts on a show.
Not that this was a one man show - far from it. Barry Soulsby fluctuated between clarinet and alto and had a memorable duo blast with Franco on The Loveliest Night of the Year as well as exercising his vocal chops on standards such as Sweet Lorraine. The minute pause during the line "She's got a pair of ... eyes" was magical albeit probably unnoticed by most! 
Laurence Mac was on tailgate, filling in all the spaces, opening a few doors, telling the truth.
Bennett kept the chug factor high - so essential whether on Bourbon Street or Haddricks Mill Road on a Thursday afternoon, Colledge was basically sound and Fred Thompson kept it all together - even when singing At The Jazz Band Ball.
This band may never get a Jazz Services funded touring grant - the packed room will be pleased to know - and as long as they keep packing them in...
Lance.
* Aitchison and Valussi are resident at Ned Kelly's Last Stand in Kowloon.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance