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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14264 (and counting) posts since we started blogging 14 years ago. 483 of them this year alone and, so far, 83 this month (May 26).

From This Moment On ...

May.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Jam session @ Fabio's Bar, Durham. 8:00pm. A Durham Uni Jazz Soc event. All welcome.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

June

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Four @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, July 29, 2014

Papanosh @ The Bridge July 27

Raphaël Quenehen (alto & soprano sax); Quentin Ghomari (trumpet, trombone); Sebastian Palis (accordion, keyboards); Thibault Cellier (bass); Jérémie Piazza (drums).
(Review by Steve H/Photo courtesy of Ken Drew).
The city of Newcastle has quite an affinity with French players, the local football team seems to be made up almost entirely of  French speakers. For the second time in almost as many weeks a band from across the water graced us with their presence and what a joy it was. The upstairs room at The Bridge was adequately filled but it should have been packed to the rafters for this wonderfully inventive and creative band.  
The upstairs room was bathed in sunshine as the first set kicked off with Chameau(Camel)  which had definite hints of the Miles Davis 70’s  electronic era about it. Next up was Icelandic inspired  Skatefulk  this piece was anything but cold starting with a rousing drum solo from Piazza and progressing with whistles and then simultaneous alto and soprano blowing from Quenehen not forgetting some funky electronic keyboard wizardry – fantastique. Fairly fittingly as we were after all above The Tyne the next song  was Aupres des douces eaux (Close to the Water ) this featured a dreamy trumpet solo from composer Ghomari and the entire piece really did evoke the feeling of the title. Baleze featured a machine gun like  drum solo from Piazza and the set concluded with a Mingus composition Peggy’s Blue Skylight this had everything including  Spanish vocals from Quenehen and much  hooting, tooting  and  hand clapping from all and sundry with a New Orleans feel thrown in. At the interval Quenehen presumably as breathless as everyone else mimed the  introductions to his fellow band members.
Set two began with Strawberry of K a film noir style alto solo which  gave way to a cacophony of sound which at times made it feel like there was a  big band   in the room. A marvellous organ solo from Palis performed on the electronic keyboard sounded like Jimmy Smith with knobs on so that the absence of his Hammond Organ was hardly missed (which sadly couldn’t make it up the stairs and the round the corner  to the top room ).  I couldn’t quite catch the name of the next song but it had almost a Procol Harum type keyboard feel to it until Palis decided to conduct the band using his entire body. As he swayed and gesticulated the band played to his every movement. What followed was even more remarkable as the metaphorical baton was passed  to audience member Chris Calver who concluded the piece with considerable aplomb (see photo.)
A terrific bass solo from Cellier introduced Mingus’s Reincarnation of a Lovebird and this also featured a triumphant tenor solo from Quenehen. A tribute to the late great Bass player Charlie Haden La Pasionaria  seemed heartfelt and was indeed quite emotional. The grand finale Gibril Circus evoked feelings of silent movies and the band looked as though they were enjoying themselves as much as the audience who broke into rapturous applause at the conclusion of Le Gig – C’est Magnifique.
The evening really had all in terms of musical styles (bebop , hard bop, funk, big band etc etc) but what made it so exciting was that they were performed in no particular order. You never knew what was going to be around the corner (apart from sadly the aforementioned trapped Hammond Organ) everything was  played with an enthusiasm  and ebullience that could not help but carry you away if only The Toon’s Frenchmen could emulate their Papanosh  compatriots then maybe the 47 year trophy drought could be ended.  
Steve H.

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