Total Pageviews

Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

Archive

2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 11, 2014

Drumbeats In Gateshead Shopping Centre: Lunchtime July 9

(By Ann Alex).
The sun shone, the people listened (and clapped sometimes) as we played beside the sculpture in Gateshead shopping centre.  ‘We’ are the drummers from the Sage Silver Programme, entertaining with African and Samba drumming.  As I’ve said before on BSH, this type of activity can’t do your jazz skills any harm, learning rhythms and sequences, and working as part of a group.  I thought I detected some improvisation from the samba group, as well!  More about that later.
This year I’ve been involved with the African Drumming, playing djembes (hand drums). A different sound is produced according to whether you hit the drum on the edge or in the middle. Our first piece, which I believe is the rhythm used to introduce the news in Zimbabwe, was a complex (to me anyway) sequence.  We played parts of the sequence, stayed silent for other bits, then gradually built up until we were playing the whole sequence.  Our next piece was a series of riffs, also from Zimbabwe, which we all played together.  The last piece, my favourite, featured different rhythms played simultaneously, all based round the rhythm of a train, gradually increasing in speed, and ending with an African song, call and response, with harmonies.  Great stuff!
I can’t explain so much about the Sambanistas as I haven’t done this for the last 2 years, but they all looked summery in yellow tee shirts and colourful hats.  They play a selection of drums, large free-standing surdos, played with sticks; timbals which are higher-pitched hand drums; snare drums; and there are also agogo bells and tamborims.  This band came on first and they really got the attention of the crowd with 3 or so carnival type tunes.  After our African Drum performance, the advanced group of Sambanistas played a very skilled set, about 5 drummers, each person apparently playing individual parts. The tunes and riffs sounded complex, with some short solos from each player.  Clever stuff.
We are very grateful for the leadership of our drumming tutors, Phil Davids and Jim Montague, and if any jazzers want to join us next term, be quick, and sign up with the Sage Silver Programme.
Ann Alex

No comments :

Blog Archive

Subscribe!