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Bebop Spoken There

Joe Farnsworth: "I have to say that jazz in New York will never die. It may seem like all the music happened 3,000 years ago, but, Charlie Parker, Billy Higgins, Max Roach and all the others are still here. You can feel their presence."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13858 (and counting) posts since we started blogging 13 years ago. 77 of them this year alone and, so far, 77 this month (Jan. 23).

From This Moment On ...

January 2022

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio + Knats @ The Cluny, Newcastle. 8:00pm. POSTPONED!

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public) .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public). CANCELLED!
Wed 26: Four @ The Exchange, North Shields. 7:00pm .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Monday, July 14, 2014

Triptych @ The Cherry Tree, July 7

Paul Edis (piano), Paul Susans (double bass) & Rob Walker (drums/glass).
(Review by JC).
Having just returned from a trip around the south of Italy which was big on scenery and art but with some so-so food and completely free of live jazz, a trip to the Cherry Tree seemed a very good way to fill these gaps. The band was advertised as the Paul Edis Trio, which is always a good session and even though it turned out not to be that Paul Edis Trio, I was equally happy to discover it was another Trio with Edis called Triptych, as I'd read about this group but not heard it.

Paul began the session by reading out a definition of a triptych which I couldn't quite hear but looking it up afterwards it said that a triptych 'is a work of art that is divided into three sections, or three carved panels which are hinged together and can be folded shut or displayed open'. Well there were certainly three of them and they were on open display but there was nothing carved about their playing which was fully alive. I'd seen a few triptychs on my Italian travels that were mainly 14th century but with a bit too much gold leaf bling and religious imagery to fit this group. I'd say musically this Triptych was more a version of Hieronymus Bosch (The Garden of Earthly Delights) with their diversity of musical ideas or Francis Bacon (take your pick) with tricky twisted time signatures.
The band started in philosophical mode asking How High the Moon? and they examined this question in an expert musical fashion in 7/8 time from a number of different angles with piano and bass getting into detailed discussion of the finer points. Then Edis continued his project of rescuing tunes sanitised by the pop world with a beautifully structured version of Close to You that had all three musicians adding their solo touches. The next piece was announced as an 'old English folk song connected with Royalty' and it took a few bars to put a name to Greensleeves as it was delicately put through the band's creative time signature mixer. Paul Susans played a fine bass solo and Rob Walker added some idiosyncratic flourishes including playing his drink (which from a distance looked like Campari and Soda) with a drumstick. Apparently this tune was supposed to have composed by Henry VIII but possibly the Cole Porter of the time felt it was wise not to argue the writing credit.
Amongst other tunes was Vernon Duke's I Can't Get Started ending with the three soloing together followed by a trip even further back through time to the Dark Ages, a Paul Edis composition written for the group. This was a rich, moody piece which belied the reputation of this historical period as an artistic wasteland. Staying in the past, the folk song English Country Garden got the up to the minute Triptych treatment with added blues. Fall by Miles Davis, How About You and Alice in One D Land (was Edis a tabloid sub-ed in another life?) kept up the superb musicianship. Sadly, I had to leave during the second half but this is another brilliantly creative, but different, trio to go with at least two other trios Paul Edis is involved in (is that a triptych of trios?).
The food as always provided the perfect background to the music with a rare sighting on a menu, sea trout, being a stand out dish. And its worth giving a mention to the very pleasantly professional staff. A great night.

JC

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