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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, July 23, 2014

Jazz Café Jam. July 22.

Steve Glendinning (gtr); Paul Grainger (bs); Paul Wight (dms). + Debra Mil;ne. Ann Alex, Ewa Szymczewska (vcls); Paul Scott (gtr/vcl); Paul Gowland (alt); Richard Herdman (gtr); Ray Truscott (bs); Johnny Davis (ten); Andy ? (ten) + ? (drums); ? (piano); ? (gtr) etc.
(Review by Lance).
The advertised Peter Gilligan was in Manchester so it was guitarist Steve Glendinning who took on the role of lynch pin 'twixt house band and jammers of which there were an abundance tonight.
The room too was crowded and the atmosphere was as sizzling as the setting sun outside. Too much to recall in detail.
Guitarists: Apart from Steve Glendinning, who was his usual immaculate self handling everything that was thrown at him, Richard Herdman also impressed and the numbers played together Have You Met Miss Jones for example really gelled. Another guitarist, who may have been with the hordes of younger folks (tourists?) who filled the room, also hit the spot with Chick Corea's 500 Miles High. Paul Scott not only played brilliantly but also sang I'll See You in my Dreams and Don't Blame Me - a touch of early Frankie Laine in his singing.
Singers: Apart from Scott, Debra Milne gave us Senor Blues, Ewa sang If I Were a Bell and I'm Beginning to See the Light and BSH's own Ann Alex sang I Got Rhythm and Imagination.
Saxes: Paul Gowland blew fiery alto and had a joust with tenorist Johnny Davis, himself no slouch, during the course of Senor Blues whilst another tenor player, Andy, joined the fray for Heather's vocals.
Drums: Paul Wight was, as always, driving the bus tonight but given some respite by an impressive young man. Ian Forbes was waiting in the wings but didn't hang around - possibly a song too far for him!
Bass: Paul Grainger on double bass alternated with Ray T on six string electric both adding their own individuality.
Piano: In the absence of Gilligan, the upright remained upright. One of the young visitors did sit in for Blue Bossa and, given the shortcomings of the instrument, did well.
There may have been other singers and instrumentalists that I've overlooked - it was one of those nights when everything seemed to be happening - my apologies also to those whose names I didn't catch.
It was a quite unique evening.
Lance.

1 comment :

KneelC said...

Post session one of the young visitors , a Greek gent, got up and played an accomplished mini set including a rendition of the Muppet Show opening theme and a sublime piece he claimed was from his Greek heritage . Unfortunately most of the crowd had left and they missed a real treat, it was worth missing your last bus for!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance