Total Pageviews

Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 18, 2014

Jam Session @ Jazz Café. June 17.

Peter Gilligan (pno); Paul Grainger (bs); Paul Wight (dms) + Ian Forbes (dms); Paul Gowland (alt); Kath Jobes (vcl).
(Review by Lance.)
The World Cup has a lot to answer for - not least the effect on jazz clubs. Who, with all of their wits about them, can sit watching two foreign teams kicking a ball around when they could be at the Jazz Café Jam or any of the other jazz gigs around the world that are being steamrollered into submission by the "Beautiful game"?
Still, those of us who opted for the jazz weren't disappointed and indeed it was almost a musical World Cup as the PG3 spent Autumn in New York, A Foggy Day in London Town, Bounced with Bud into Dear Old Stockholm, Norwegian Wood kept us in Scandinavia plus A Night in Tunisia and a visit to Scarborough Fair was also contemplated. These latter two pieces didn't materialise on my watch (Metro Station upheavals etc. meant an early bath for me) but may have occurred later.
Needless to say the PG3 were on form playing easy, laid back swing including The Song is You with double bass to the fore as indeed it was on All Blues - was this Paul Grainger or Paul Chambers?
Sitters in were sitting in at home tonight with the notable exceptions of Ian Forbes - as ever full of fun and fast fours - Paul Gowland, firing a vintage 35M Conn under slung alto on All The Things You Are and I'll Remember April and Kath Jobes chanting Imagination and Autumn Leaves.
Next week it's a Schmazz gig featuring guitar duo Mike Walker and Stuart McCallum with a support set by Paul Taylor.
Lance.

2 comments :

Anonymous said...

The way to go about getting more people into jazz, especially live jazz, is to make it more inclusive.
I don't think the way to do so is to suggest that those choosing to watch the football don't have their wits about them. In Leeds, theres a couple of places were they had the football on during the last world cup but mute, and encouraged people to come in and play music based on what they were watching on the big screen.
If people just sit and complain about jazz (and not only jazz, by the way) being steam rollered into submission, the way to preserve it is to adapt, not to close ranks to the exclusion of all else.

Lance said...

Dear Anonymous of Leeds - I don't quite see that musicians playing to what they see on a muted screen of the world cup is going to appeal to either jazz people or football people. If I choose to watch a football match I don't want some guy blowing tenor sax in my ear. Likewise, I want the musicians I've come to hear to be inspired by Ellington, Cole Porter, Pat Metheny, Chick Corea or each other, not Wayne Rooney!
Mind you, this recent world cup would, if we'd been doing it "Leeds way", have produced some of the most heart rending blues we've ever heard - and over a samba beat!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance