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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 04, 2014

CD Review: Matthew Halsall & the Gondwana Orchestra - When the World Was One

Matthew Halsall (trumpet), Nat Birchall (soprano saxophone), Lisa Mallett (flutes), Keiko Kitamura (koto), Rachael Gladwin (harp), Taz Modi (piano), Gavin Barras (double bass) & Luke Flowers (drums)
(Review by Russell).
The Gondwana Orchestra’s opening track, the eponymous When the World Was One more than hints at a Coltrane vibe – Nat Birchall’s soprano, Taz Modi’s piano (McCoy) and Luke Flowers’ drums (Elvin). Bandleader Halsall leaves it late, contributing fluent trumpet work to take it out. A Far Away Place (the Far East at a guess) evokes ethereal woodwind sounds (bansuri flute), Rachael Gladwin’s elegant harp riding on Flowers’ desultory rhythmic snare.
Trumpeter Matthew Halsall’s thoughtful solos are best illustrated on Falling Water – considered, conscious of Modi’s piano part to follow. Patterns hears an up beat Modi giving way to more of the measured Halsall. Flowers takes a few bars without losing the momentum with soprano and flute (Lisa Mallett) supplying the coda. Halsall’s interest in, and travels to Japan, demands the inclusion of ‘non-traditional’ jazz instruments (bansuri flute, Keiko Kitamura’s koto, harp) and they feature on Kiyomizu-Dera (a Buddhist temple in Japan).
Gladwin’s harp and Birchall’s soprano respond to Halsall’s growling trumpet work on Sagano Bamboo Forest, peace sought and found. On the closing track – Tribute to Alice Coltrane – bassist Gavin Barras suggests a groove, the excellent Flowers goes with it, Modi dreams awhile, flute awakens Halsall’s distant trumpet and harpist Gladwin has the final word.
When the World Was One is a beautifully conceived album, a million miles away from the Western jazz world’s historic predilection for the bravura performance. The work is available now in several formats on Gondwana Records.
Russell.

                

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance