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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, June 08, 2014

CD Review: The Lindsay Hannon Plus – The Spy (Take 2)

Lindsay Hannon (vocals), James Harrison (piano), John Pope (double bass) & Tom Chapman (drums)
(Review by Russell).
The Lindsay Hannon Plus’ debut CD – The Spy – grabs the attention from the first note of the eponymous opening track. Vocalist Lindsay Hannon’s phrasing is second to none and this ‘live’ recording is of exceptional quality. Hannon’s regular working band gives nothing less than a five star performance on all of the album’s twelve tracks. There is a wide range of material including Hannon favourites Jim Morrison and Joni Mitchell, a brace of jazz standards and a joyous take on Paul Simon’s Diamonds.  
James Harrison is a dynamic young pianist with an infectious enthusiasm be it as soloist or accompanist. The band arrangements make full use of a collective exuberance – piano, double bass (John Pope), drums (Tom Chapman) and, of course, Hannon. Pope’s louche bass line on The Spy underpins Harrison’s fabulous old school piano playing, Chapman’s intro to Nature Boy establishes a Latin vibe, Pope solos, then Harrison takes it into the stratosphere with Hannon right up there. Hannon’s sister in music Liz Corney receives a writing credit on the album with the ballad Heather Forever. Late night saloon bar songs are handled with sensitivity; The End of a Love Affair hears Hannon turn the lyric inside out, So Long, Big Time is a vocal tour de force with fizzing accompaniment from Messrs Harrison, Pope and Chapman.                 
It is Hannon’s inventive, playful interpretation of a lyric that places her in the top bracket of singers currently working the jazz club circuit. The release of  The Spy is sure to secure a wider audience. The album is dedicated to the memory of Keith Crombie, jazz promoter and supporter of Lindsay Hannon and many other musicians on the Newcastle jazz scene. The Spy is available at bookings@lhplus.co.uk
Russell.

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