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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, June 08, 2014

CD Review: The Lindsay Hannon Plus – The Spy (Take 2)

Lindsay Hannon (vocals), James Harrison (piano), John Pope (double bass) & Tom Chapman (drums)
(Review by Russell).
The Lindsay Hannon Plus’ debut CD – The Spy – grabs the attention from the first note of the eponymous opening track. Vocalist Lindsay Hannon’s phrasing is second to none and this ‘live’ recording is of exceptional quality. Hannon’s regular working band gives nothing less than a five star performance on all of the album’s twelve tracks. There is a wide range of material including Hannon favourites Jim Morrison and Joni Mitchell, a brace of jazz standards and a joyous take on Paul Simon’s Diamonds.  
James Harrison is a dynamic young pianist with an infectious enthusiasm be it as soloist or accompanist. The band arrangements make full use of a collective exuberance – piano, double bass (John Pope), drums (Tom Chapman) and, of course, Hannon. Pope’s louche bass line on The Spy underpins Harrison’s fabulous old school piano playing, Chapman’s intro to Nature Boy establishes a Latin vibe, Pope solos, then Harrison takes it into the stratosphere with Hannon right up there. Hannon’s sister in music Liz Corney receives a writing credit on the album with the ballad Heather Forever. Late night saloon bar songs are handled with sensitivity; The End of a Love Affair hears Hannon turn the lyric inside out, So Long, Big Time is a vocal tour de force with fizzing accompaniment from Messrs Harrison, Pope and Chapman.                 
It is Hannon’s inventive, playful interpretation of a lyric that places her in the top bracket of singers currently working the jazz club circuit. The release of  The Spy is sure to secure a wider audience. The album is dedicated to the memory of Keith Crombie, jazz promoter and supporter of Lindsay Hannon and many other musicians on the Newcastle jazz scene. The Spy is available at bookings@lhplus.co.uk
Russell.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance