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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Sunday, June 22, 2014

CD Review: Fred Hersch Trio – Floating.

 Fred Hersch(pno); John Hebert (bass); Eric McPherson (dms).
(Review by David Brownlow).
This is the first Fred Hersch Trio studio album in four years after a series of “live” sessions featuring the same personnel.  A fine player, influenced by some of the “greats” – Evans, Peterson, & Jamal among them, Hersch has evolved his own style which is highly technical, imaginative, searching, emotional and inspiring. The CD follows the typical pattern of a Hersch Trio set when the opener is a standard, followed by some original music, then a ballad from the GAS book and finally ending with a Monk piece.
You And The Night And The Music is played in a quasi – classical style with elements of fugue, minuet and contrapuntal work incorporated. The familiar chords of the song help the listener to follow the intricately – woven rhapsodic improvisations. The title track Floating flows gracefully along, providing harmonic surprises at every turn where Fred resolves his chord sequences in unexpected ways. The Trio work well together, interplaying with worthwhile contributions from bass and drums. West Virginia Rose, the first of six pieces all dedicated to various people, is a through-composed song inspired by Hersch’s mother and grandmother – with words by our own Norma Winstone  who has provided lyrics for several of Fred’s songs in other contexts. Home Fries dedicated to bassist Hebert  has a rolling Crescent City “good-time” feel.
Far Away is for Shamrit Shoshan - McPherson’s wife - who shockingly died in 2012 at the age of 29. This reflective piece is deeply felt – again with unexpected harmonic twists and turns, each one taking the listener unawares. Arcata, dedicated to Esperanza Spalding, has a restless, driving quality with a “catchy” melody and sprightly improvising from Hersch. A Speech To The Sea  dedicated to Finnish artist Maaria Wirkkala,  gently evolves as an impressionistic piece ebbing and flowing in a graceful style with a standout melodic solo from the bassist.
Autumn Haze for fellow-pianist  Kevin Hays has effective trio interplay throughout ( as in Evans/LaFaro/Motian). Strong minor harmonies in a descending pattern characterize this song. The penultimate track   If Ever I Would Leave You is performed as a ballad contrasting sharply with Rollins’ well-known up-tempo version. It’s played in the style of the Keith Jarrett “Standards” Trio with much filigree decoration from the piano, root-seeking basslines and tasteful drumming. A standout track! Finally, Monk’s Lets Cool One  taken at a jaunty tempo, is thoroughly examined by the Trio with humour, invention and vigour.
Overall, a very enjoyable CD by a major jazz artist whose career continues to evolve in imaginative settings. Available on PALMETTO from July 8..
Dave B.

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