Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, June 03, 2014

CD Review: Nick Malcolm Quartet - Beyond These Voices

Nick Malcolm (trumpet), Alexander Hawkins (piano), Olie Brice (double bass) &  Mark Whitlam (drums) + Corey Mwamba (vibraphone)
(Review by Russell).
Beyond These Voices is the Nick Malcolm Quartet’s second CD release in three years. Trumpeter Malcolm has recruited some of the key figures of a new generation of UK musicians working across a shifting, frequently invisible, boundary of composed and improvised music. Seven of the nine tracks are Malcolm compositions, the others are improvised pieces (one by Malcolm and bassist Olie Brice, one by pianist Alexander Hawkins and drummer Mark Whitlam).
Sidereal hears Malcolm’s full-toned trumpet coaxed by Hawkins, underpinned by the brushes then sticks of Whitlam. There’s Lead in Their Pencils is a tumbling, off kilter bop-like workout wrapped up in guest Corey Mwamba’s playful interjections. Grimes opens with Malcolm’s exposed trumpet intent on making a statement come what may. Whitlam goes with him, Hawkins deliberates over dark chords, then fade into silence. Out of the nothingness Hawkins momentarily revives the piece, then once more falls silent. The first of two improvisations engages Malcolm and Brice in a short, faltering conversation with, perhaps, things to be said another time. Corey Mwamba returns on
Views in what could be described, in another context, a lush ballad. Mwamba features again on A Very Blusterous Day and the augmented group certainly blows up a storm. Improvisation II pairs Hawkins and Whitlam in another to-be-continued dialogue, cut short by some serious playing on It’s Alright, We’re Going to the Zoo. Olie Brice’s neo    -funk bass line tempts Whitlam to take it in a drum ‘n’ bass direction amidst an all too short rhythmic pattern on which Malcolm rides triumphant. The album closes with Where, Beyond These Voices, There is Peace. Nick Malcolm has written of his interest   in the silence beyond the notes. Music is about the silence, its intervals, the emergent sound is the music. Malcolm’s trumpet is curious as to what lies beyond. His journey is only just beginning. Beyond These Voices is a favourite album of 2014. It is available now on Green Eyes Records (GE15).   
Russell.

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