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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, June 03, 2014

CD Review: Nick Malcolm Quartet - Beyond These Voices

Nick Malcolm (trumpet), Alexander Hawkins (piano), Olie Brice (double bass) &  Mark Whitlam (drums) + Corey Mwamba (vibraphone)
(Review by Russell).
Beyond These Voices is the Nick Malcolm Quartet’s second CD release in three years. Trumpeter Malcolm has recruited some of the key figures of a new generation of UK musicians working across a shifting, frequently invisible, boundary of composed and improvised music. Seven of the nine tracks are Malcolm compositions, the others are improvised pieces (one by Malcolm and bassist Olie Brice, one by pianist Alexander Hawkins and drummer Mark Whitlam).
Sidereal hears Malcolm’s full-toned trumpet coaxed by Hawkins, underpinned by the brushes then sticks of Whitlam. There’s Lead in Their Pencils is a tumbling, off kilter bop-like workout wrapped up in guest Corey Mwamba’s playful interjections. Grimes opens with Malcolm’s exposed trumpet intent on making a statement come what may. Whitlam goes with him, Hawkins deliberates over dark chords, then fade into silence. Out of the nothingness Hawkins momentarily revives the piece, then once more falls silent. The first of two improvisations engages Malcolm and Brice in a short, faltering conversation with, perhaps, things to be said another time. Corey Mwamba returns on
Views in what could be described, in another context, a lush ballad. Mwamba features again on A Very Blusterous Day and the augmented group certainly blows up a storm. Improvisation II pairs Hawkins and Whitlam in another to-be-continued dialogue, cut short by some serious playing on It’s Alright, We’re Going to the Zoo. Olie Brice’s neo    -funk bass line tempts Whitlam to take it in a drum ‘n’ bass direction amidst an all too short rhythmic pattern on which Malcolm rides triumphant. The album closes with Where, Beyond These Voices, There is Peace. Nick Malcolm has written of his interest   in the silence beyond the notes. Music is about the silence, its intervals, the emergent sound is the music. Malcolm’s trumpet is curious as to what lies beyond. His journey is only just beginning. Beyond These Voices is a favourite album of 2014. It is available now on Green Eyes Records (GE15).   
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance