Total Pageviews

Bebop Spoken There

Noah Preminger: "The U.S.A - the greatest country in the world - didn't lift a finger to help their 3ooo-plus citizens in Morocco. We were abandoned by our own government." - (DownBeat June 2020).

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Thursday, May 15, 2014

CD Review JC Sanford Orchestra Views From the Inside

(Review by Russell).
JC Sanford is a co-founder of the composer’s federation, Pulse, with Darcy James Argue and Joseph C. Phillips. Living and working in Brooklyn, Sanford has NYC’s Downtown scene on his doorstep. His sixteen piece ensemble comprises musicians from the spheres of classical music and contemporary jazz. The writing embraces French impressionism, a cinematic sweep across a 20th/21st century North American landscape (the 1925 silent film Ben Hur to subversive, unsettling quasi-nursery rhymes) to big band jazz post-Gil Evans to the jazz of today.
An Attempt at Serenity, the first of twelve tracks, opens with a brief section of Buddhist recitations, giving way to the string players (variously serene, then taut) and percussion. Five of the tracks refer specifically to Brooklyn – 2nd & 7th (Brooklyn Vignette #5) and Verrazano Bikeride (Brooklyn Vignette #3) in particular succeed in evoking the sights and sounds of the borough – and two lengthy compositions vie for the soul of the album – the title track Views From the Inside and Sky Good. The CD liner notes suggest the former is “A 15plus- minute journey through beauty, dissonance, and everything in between. Positively epic…”. The latter piece features the tenor sax of Chris Bacas and is perhaps the jazz track of the album.
The ensemble playing is of the highest quality, Sanford’s writing always interesting and with fellow travellers such as the critically acclaimed Darcy James Argue, the future of the big band –jazz or other – makes for interesting times. The JC Sanford Orchestra’s Views From the Inside is released on Monday 19 May 2014 on Michael Janisch’s Whirlwind Recordings – WR4652.      
JC Sanford (composer, conductor & trombone), Satoshi Takeishi (percussion), Jacob Garchik (accordion), Tom Beckham (vibraphone), Meg Okura (violin & electronics), Will Martina (cello & electronics), Aidan O’Donnell (acoustic bass), Dan Willis (oboe, piccolo, flute & soprano saxophone), Ben Kono (English horn, bass clarinet, clarinet, flute & alto saxophone), Chris Bacas (clarinet, soprano & tenor saxophones), Kenny Berger (contra-alto saxophone, bassoon & alto flute), Taylor Haskins (trumpet, flugelhorn & harmonizer), Matt Holman (trumpet & flugelhorn), Mark Patterson (tenor trombone), Jeff Nelson (tuba & bass trombone), Chris Komer (French horn), Asuka Kakitani (conductor - tracks 6 & 12)
Russell.

No comments :

Blog Archive