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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Tannery jam session @ The Tannery, Hexham. 7:00pm.
Wed 09: Anatole Muster Trio @ Cluny 2, Newcastle. 7:30pm (doors). £17.50., £12.50. concs.
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED?

Thu 10: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.CANCELLED!
Thu 10: Magpies of Swing @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. A Globe fundraiser (all proceeds to the venue).
Thu 10: Exhaust: Camila Nebbia/Kit Downes/Andrew Lisle @ Jesmond URC, Newcastle. 8:00pm (7:30pm doors). £13.20., £11.00. JNE.
Thu 10: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guests Ray Dales & Jackie Summers.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, October 09, 2013

CD Review: Dan Willis and The Velvet Gentleman The Satie Project II

Dan Willis (oboe, soprano, tenor and baritone saxophones, piccolo, English Horn, clarinet, baritone clarinet, contrabass clarinet, duduk, zurna, Chinese flute, hiririchi, yokobue and EWI); Pete McCann (electric guitar); Ron Oswanski (accordion, B3 organ, Wurlitzer, electric piano); Kermit Driscoll (electric and double bass); John Hollenbeck (drums); Richard Sosinsky (double bass (11); Todd Low (ehru); Entcho Todorov (violin); Mark Vanderpoel (electric bass (7); Pablo Reippi (marimba, vibraphone and pitched gongs).
(Review by Steve H).
One of the very few Classical CDs in my collection is an album of piano works by the composer Erik Satie so I was very interested to receive this album with a jazz interpretation of the ‘Velvet Gentleman’s’ work. The CD did not disappoint. The interpretations of Satie’s compositions by Willis are fascinating and the multi instrumental renditions revelatory. This album features 3 main compositions of Satie the Gnossiennes #2 to #6 the Pieces Froides 1,11,111 and 3 takes of Vexations although not necessarily in that order.
Many of the instruments featured I have never heard of.  I thought Duduk and Yokobue were international footballers who played for Liverpool and Everton respectively but they turned out to be just 2 of the 11 instruments Willis plays, including a Hiririchi which not even a Google search could find. The nearest I could get was a Hibachi which is a Japanese barbecue! Fortunately, I found some explanations in the accompanying notes. Willis plays 3 types of double reeded instruments: a Hiririch from Japan, a Dudek and a Zurna from Armenia. Meanwhile a Yokobue is a Japanese flute and an Ehru is a two string Chinese violin. This  amazing collection of instruments makes each tune a delightful discovery where you simply do not know what you will hear next - be it a beautiful Oboe and bowed double bass on Gnossienne #5, an electro fusion on Gnossienne #7 or an oriental jamboree of the aforementioned double reeded instruments on Gnossienne #3.  
For those hoping to hear work similar to the gentle minimalist work of the late 19th century they may be taken aback, but for those wanting to experience a creative, contemporary, unique and exciting creation, they will be wholeheartedly entertained by the whirr of the Wurlitzer, the thrill of the Ehru, the warmth of the Zurna and the happy hiririchi to name but a few. 
The Satie Project 11 is available on Daywood Drive Records.
Steve H.

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