Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sun 23: Tyne Valley Big Band @ Royal Quays Marina, North Shields. 2:00-4:00pm. Free.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free..
Sun 23: Blue Note Quintet @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00..
Sun 23: Timmy Allan Quartet @ The Globe, Newcastle. 8:00pm.

Mon 24: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Monday, July 15, 2013

CD Review: Holy Moly and the Crackers - First Avenue.

Ash Etchells-Butler (dms/mand); Conrad Bird (gtr/vcl); Ruth Patterson (vln/vcl/cell); Rosie Bristow (acc/dms); Ali Reay (bs gtr).
(Review by Lance)
The album notes are great...”At its heart the album is a kind of journeyman’s diary of the road to First Avenue from ‘beats and bars’, the vibrant heart of our hometown music scene, to a host of delightful venues hidden in the crevices of the Ouseburn Valley, Newcastle-upon-Tyne. The rambling lovers, the fairy forest-dwellers, the lost sea-souls and Dixieland cowboys, the Romani rock ‘n rollers, with their healthy amount of medicinal booze and burlesque, are just a few of the people we met along the way. Hope you enjoy...”
Well that’s a pretty fair description making my job almost done!
Almost!
Hearing Holy Moly and the Crackers for the first time at yesterday’s Beer Festival – just before the beer exceeded the ’healthy amount’ -  I was mightily impressed and wondered how I’d react sans sun and several pints.
Well let me tell you brothers and sisters, even with a hangover, this band still sounds great.
A mix of folk, blues, country, cajun, jazz and rock ‘n’ roll the Crackers somehow manage to channel the best of all genres into their own brand of music. As well as playing fine fiddle Patterson sings in an attractive folksy/bluesy voice Bird’s vocals and guitar offer contrast.. Songwriting credits are not given although I suspect they all had their say with, possibly,  Bird the major contributor – correct me if I'm wrong guys.
Rosie Bristow’s accordion combines well with Ruth’s fiddle and the overall sound is foottappingly fantastic
If you've heard them on a gig you will probably already have this album. If you haven’t, then don’t wait till Christmas – these crackers are to be pulled now!
Lance.

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