February
Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington.. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 12: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Fri 13: Noel Dennis Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00. Dennis (trumpet, flugelhorn); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 13: Joe Steels @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 13: Lindsay Hannon: Tom Waits for No Man @ Arc, Stockton. 8:00pm.
Fri 13: Tom Remon & John Moriarty @ The Ship Isis, Silksworth Row, Sunderland SR1 3QJ. 7:00pm. £10.00 + £1.00 bf.
3 comments :
Sad to hear this. He was one of the greats. Some pals saw him at the Wales Guitar Fest a few years back and said he was amazing and a perfect gentleman too, and very humble. His vertically stacked, close voiced chords were a trademark of his and something new at the time. They are very difficult to finger (big hands help) and in that respect he pushed the existing boundaries of jazz guitar playing. He had immaculate technique. Also he played a key role in guitar development and design both with Gibson and Guild. A truly nice guy who became a legendary figure and a member of jazz guitar royalty.
Roly
Although I never met Johnny Smith – I did have had mail contact with him over the years and found him to be a perfect gentleman. He was always totally modest about his enormous talent and about the extent of his influence on so many other guitarists.
I first heard his distinctive lush chording and crystal clear single-note soloing on the historic 1952 recording of ‘Moonlight in Vermont’.. This recording, with Stan Getz, gained great popularity even outside the regular jazz audience – and enjoyed very large sales. I soon began collecting every available Johnny Smith recording – and I still have and enjoy them all to this day.
Many people do not know that although the guitar was his first instrument, Johnny Smith began his professional career in the late 1940's as a trumpeter with the New York Philharmonic. However once Johnny’s mastery of the guitar in his inimitable and unique style was recognised he became staff guitarist with the NBC in the 1950s.
All the great jazz guitarists I have known have always spoken of their great admiration of Johnny both as a person and as one of the most influential jazz guitarists of all times.
Maurice Summerfield
Lance - you are the bearer of the bad news. As you know Johnny Smith was a major influence in my style of chordal playing. I also have everything he ever recorded. I had some fascinating conversations with him at a guitar seminar in Wrexham when he recalled some of his memories of recording with Jerri Southern and Ruth Price among others. He was a true gentleman who in recent years enjoyed game fishing in the gulf of California.
He was totally surprised by the reception he received from the guitarists at the seminar. I went to the seminar simply so I could meet him and a great moment for me was to have my photograph taken with the great man which was published in the Just Jazz Guitar magazine.
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