Bebop Spoken There

Gary Bartz: ''Charlie Parker was my introduction to the religion of music. And so he's always with me .'' - Downbeat November 2025.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17972 (and counting) posts since we started blogging 17 years ago. 936 of them this year alone and, so far, 45 this month (Nov. 14).

From This Moment On ...

November

Fri 14: Dan Johnson Quartet @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 14: Giles Strong Quartet @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Brian Jackson @ Pilgrim, Newcastle. 7:30pm (doors). £32.00. SOLD OUT!
Fri 14: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. £12.00 (inc. pie & peas). SOLD OUT!

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: Tweed River Jazz Band @ Warkworth Memorial Hall. 7:00-9:30pm.
Sat 15: Les Frères Frangipane @ Jesmond Library, Newcastle. 8:00pm (doors 7:30pm). £10.00. ‘Chanson Française’. Fundraiser for Jesmond Community Orchard & Jesmond Library.

Sun 16: Jo Harrop @ The Globe, Newcastle. 2:30pm. Duo performance.
Sun 16: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. ‘Jazz Sunday’ with special guest PETE TANTON.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ Queen’s Hall, Hexham. 3:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ The Globe, Newcastle. 8:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).

Mon 17: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.
Mon 17: Finn-Keeble Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 8:00pm. £6.50.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 16, 2012

Ian Shaw: The Sage, Friday December 14th

Ian Shaw (vocals and comedy); Barry Green (piano)
(Review by Ann Alex).
This was the second set of the performance involving Sector 7 (first set  to be reviewed shortly).  We were mightily entertained with great vocals, piano, and a good helping of comedy.  The amusing stories about weight loss, loss of virginity in Morpeth, and cheeky shouts to the technicians to turn down the lights, flowed well between songs both amusing and sad, with lots of space for the pianist to display his soloing skills. 

Do Your Stuff opened the show with the singer obviously enjoying the rhyming couplets, scatting in a falsetto voice and swapping 4s as if there was to be no tomorrow in which to sing.  We moved on to a witty Fran Landersman song Small Day Tomorrow, followed by Spring Can Really Hang You Up The Most; then a lively version of Cole Porter’s Let’s Do It, with extra images added.
Because there was lots of comedy, the more serious songs were more effective by contrast, so I’m Glad There Is You was quite moving. The audience was encouraged to sing along for some familiar bits of songs, not something that normally happens except if it’s folk music!  Use Me Up had the audience guessing when to applaud because of the teasing false endings.  The whole performance was rounded off in Christmas style with the singers of sector 7 coming on stage for a performance of Christina Rossetti’s hymn In The Bleak Midwinter, sung with wonderful harmonies to the Gustav Holst tune.  A fitting ending to a very good evening of music and fun. 
Ann Alex  

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