Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18721 (and counting) posts since we started blogging 18 years ago. 585 of them this year alone and, so far this month (July 18) 49

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Tue 28: Liam & Shayo @ Newcastle Arts Centre. 7:30pm. Free. Liam Oliver (guitar), Shayo Oshodi (vocals).

Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event

Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes. .

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

August

Sat 01: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 1/2.
Sat 01: Jim Wright’s Rhythm Deluxe @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 01: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 01: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival. 1/2.
Sat 01: Paul Skerritt Swing Trio @ The Vault, Darlington. 8:00pm. Free.
Sat 01: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: The Swing Commanders @ The Amphitheatre, Stockton. 9:00-10:30pm. Free. Stockton International Riverside Festival.

Sun 02: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 2/2.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 02: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Sue Ferris.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival event. 2/2.
Sun 02: Nel Begley & Paul Edis @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.

Mon 03: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 03: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Wednesday, August 01, 2012

CD Review: Spirits Up Above The Rahsaan Roland Kirk Anthology The Atlantic Years 1965-1976 Rahsaan Roland Kirk

(Review by Russell).
Spirits Up Above is a timely release. December 2012 marks the thirty fifth anniversary of the death of Rahsaan Roland Kirk. Rhino Records’ double CD surveys the Whistleman’s recorded output for the Atlantic record label over a thirteen year period up to the year before his untimely death. Studio cuts and in concert performances remind the listener of the constants in Kirk’s work; respect for the tradition (New Orleans to Ellington to Mingus to Coltrane), the church, the blues, swing, bop, excellent sidemen – especially the pianists. 

Key albums Here Comes the Whistleman, The Inflated Tear, Blacknuss, Volunteered Slavery and The Case of the Three-Sided Dream in Audio Color make for a cornucopia of riches. 
The selected sides serve as a good introduction to Kirk the instrumentalist; The Black and Crazy Blues, The Inflated Tear, Lovellevelliloqui, A Tribute to John Coltrane, Blacknuss and Portrait of Those Beautiful Ladies. To describe Kirk as a multi instrumentalist doesn’t tell half the story. On Something for Trane That Trane Could Have Said from the album Natural Black Inventions: Roots Strata Kirk plays tenor saxophone, manzello, stritch, clarinet, flute, Bb clarinet, Eb clarinet, pipes, harmonium, piccolo, bass drums, thundersheet, cymbal bells, music box, palms, timpani, gong and bird sounds! 
Swinging blues piano features across the twenty two tracks from first call players Lonnie Liston Smith, Jaki Byard, Ron Burton, Hank Jones (Do Nothin’ Till You Here From Me with old school tenor from Kirk) and Hilton Ruiz. Those fortunate to have heard Kirk live will tell you it was an unforgettable experience - Newcastle 1976 was one such occasion – and it is, perhaps, the in concert tracks on this new release that give the best indication of Kirk’s visceral stage presence and  performance. Kirk on vinyl is regularly on the turntable of this reviewer. Kirk on CD is the next best thing and Spirits Up Above on Rhino Records with liner notes by Kevin Le Gendre is released on Saturday 18th August. Heartily recommended.
Russell.                        

1 comment :

Lance said...

Russell, as one who is also fortunate to have heard
Roland Kirk live (in his pre Rahsaan days i.e. 1960s when he was unhampered by disability)I can concur that this man live was an incredible performer.
I heard him at one of the Durham colleges and, to this day, it is on my list of all time greatest concerts.

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