Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18721 (and counting) posts since we started blogging 18 years ago. 585 of them this year alone and, so far this month (July 18) 49

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Liam & Shayo @ Newcastle Arts Centre. 7:30pm. Free. Liam Oliver (guitar), Shayo Oshodi (vocals).

Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event

Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes. .

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

August

Sat 01: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 1/2.
Sat 01: Jim Wright’s Rhythm Deluxe @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 01: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 01: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival. 1/2.
Sat 01: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: The Swing Commanders @ The Amphitheatre, Stockton. 9:00-10:30pm. Free. Stockton International Riverside Festival.

Sun 02: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 2/2.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 02: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Sue Ferris.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival event. 2/2.
Sun 02: Nel Begley & Paul Edis @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.

Monday, August 06, 2012

Beneath The Underdog

I have just finished reading Charles Mingus “Beneath the Underdog”  and thought that it was a brilliant insight into the mind of a brilliant man. What does anybody else think ? I would be interested to hear opinions/criticisms etc.
Steve Owen.
at

4 comments :

Lance said...

Steve, I've owned the book for years and never yet made it to the finish. I couldn't understand how an autobiography could have a written comment at the beginning saying that some of the characters and incidents are fictitious. Also the predilection with sex and race I felt was written to shock and sell. However, having the greatest admiration for the man's music and respecting your opinion I will try it again and see if, 40 years on, my judgement has matured, mellowed or become more worldly-wise!

Monday, August 06, 2012 7:17:00 pm
Steve Owen said...

Thanks Lance,
Look forward to your comments

Steve

Tuesday, August 14, 2012 12:26:00 pm
Lance said...

Well Steve, I made it to the end this time and, perhaps, after looking at it with a more jaded, blasé, streetwise mind, I was able to perhaps cope with it more or less objectively.
I delved into Brian Priestley's biography whilst reading the autobiog and it was interesting to note that Mingus' long time drummer, Danny Richmond observes that, "A lot of Mingus' writing was fantasy."
Accepting this makes it more readable but doesn't make up for the lack of musical insight into the creation of some of the greatest jazz compositions and performances either side of Ellington and Gil Evans.
If only he'd just tantalised us with snippets of his gargantuan sexual appetites instead of giving us "the whole nine yards" (well perhaps not quite that much)
Art Pepper and Anita O'Day's books were controversial but at least they managed to balance the sex and the drugs with the music. Charles didn't.

Wednesday, August 22, 2012 9:45:00 pm
Steve said...

Hi Lance.
Totally agree with your comments here and also with the reference to the Art Pepper book.
Still you have to admit it was a bloody good read.

Thursday, September 13, 2012 12:41:00 pm

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