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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, September 26, 2010

Scarborough Jazz Festival Day Two - Afternoon

Threeway - Steve Waterman (tpt/flg), Steve Lodder (pno/keys), Ben Crosland (bs/gtr). As the name implies, this wasn't a frontline horn with backing set up but a trio of equals playing lines that complemented and supported each other. Of the many highlights Secret Love with its bravura trumpet intro stood out before it was kicked upfield for the piano to carry with some fancy fingerwork before trumpet picked up the ball and ran with a triple-tongued blast that may have begun in Arban's Method For Trumpet but didn't end there! Breath-taking or to be more precise - circular breath-taking.
Annie O'Donnell described the sound of the Waterman flugel as falling dew and a lover's touch!
More from the poetic Annie later.
Tim Whitehead's Colour Beginnings. Tim Whitehead (ten), Liam Noble (pno), Pat Bennison (bs), Milo Fell? (dms).
This was an interesting project that, sadly for me at any rate, didn't work. The idea was that Tim, after spending 2 months looking at Turner's paintings in the Tate Gallery then produced his compositions/improvisations based on what he'd absorbed. The various images were flashed on the screens as he played and occasionally chanted. Sometimes the music was very good but frankly I was unable to relate what he was playing to what was on screen - maybe only he could.
As someone on a nearby table described it - "I became disengaged early on'.
Me too brother.
Andrea Vicari with Jazz ExTempore. Andrea Vicari (pno), Elvis Stanic (gtr/acc), Rico De Veer (bs), Christ Yotsov (dms). I suppose it had to come - a Croatian Elvis! However, this Elvis was the real deal jazzwise taking his Strat down many jazzlined journeys. He did so also on a 32 bass accordian. Andrea Vicari - the only English player in the quartet (drums Bulgaria, Bass Holland) - proved to be a jazz piano player of the highest quality and her dexterity, invention and harmonic depth were beautiful. I feel if anyone was going to do justice to a painting it would be this band.
An enjoyable afternoon - Festival Bitter tasted good as did the chips at Harry Ramsden's (Sorry Jerry but I couldn't face walking up the hill to Beiderbecke's!
Lance.

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