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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, September 29, 2010

Customs House Big Band with Ruth Lambert @ Customs House, South Shields.

Peter Morgan (MD/bs tmb), Ruth Lambert (vcl), Gordon Marshall, Ken de Vere, Paul Riley-Gledhill, Michael Lamb (tpts). Gareth Weaver, Chris Gurgit-Smith, Mike Fletcher, (tmbs). Jill Brett (alt/flt), Elaine Willis (alt), Alan Marshall, Kim Webb (ten), Chris Kaberry (bar). Bill Britain (pno), Tom Patterson (bs gtr), Roy Willis (gtr), David Francis (dms).
This was another good concert by the ever popular Customs House Big Band who, yet again, pulled a good crowd to their home base.
The theme was show songs and we were treated to a selection of superb big band versions of some of the most well-loved tunes that began life on 'The Great White Way'.
Peter Morgan, leader and raconteur, directed the band, played ensemble bass trombone and gave much information on the background of each number.
The band itself had a couple of changes. Jim McBriarty has departed (there are just so many bands a guy can play with!) He was replaced by Kim Webb on second tenor. Kim, incidentally is the daughter of well known local jazz singer Mia Webb.
Jack the bass has gone to pastures south to be replaced by Tom the bass guitar.
Alan Marshall did the tenor solos justice with his coolish sound whilst Jill Brett not only has the lead alto pad down pat but also rattled off some good solos. Gareth Weaver took most of the trom solos although all three let rip on How High The Moon.
Mike Lamb shouldered the brunt of the trumpet solos with Paul Riley-Gledhill doing his bit on Summertime.
Bill Britain featured on Softly as in a Morning Sunrise as well as arranging September Song at a nice bouncy tempo unlike the original which I always find slightly turgid.
Alongside Bill, 'Uncle' Roy Willis and Tom Patterson provided the pulse with David Francis putting the boot in.
Too many great numbers to mention them all but, for me, perhaps the most interesting was Fascinating Rhythm which had some fascinating tempo/time changes.
MD Peter even managed to give Bebop Spoken Here a mention!
Nice one.
Lance.
PS: If you're wondering why I haven't mentioned super singer Ruth Lambert it is because our Woman's Editor Ann is preparing her own take on the vocal/fashion side of it - watch this space!
Also a reminder - catch the band and Ruth for free at the open rehearsal/concert at the New Crown, South Shields, on Tuesday Oct 5 at 7:30pm.

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