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Bebop Spoken There

Ethan Iverson: "Mickey Roker played drums in church, and his beat on [Mary Lou] Williams' "Ode to St. Cecile" might make even a diehard atheist a believer" - (JazzTimes Sept. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday October 13

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Hildy Harland’s Temperance Tea Party - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 1:00pm. £TBC.

Am Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Davie T & The Razzberries - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Jazz Jam - Fabio's, Saddler St., Durham DH1 3NP. 7:30pm. Free. Durham University Jazz Society. All welcome - sitters-in & listeners.

Wollo’s World - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Wolter Wierbos, John Pope, Emile Karlsen.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 12, 2009

On The Outside Festival. Sunday Oct. 11 part 1.

Day 3.
A festival on the scale of On the Ouside is a major undertaking with hiccups such as delayed arrivals at airport or railway station being nothing unusual. Early Sunday afternoon presented another challenge with the Tyne Bridge all but inaccesible due to major traffic jams to the north and south of the river.
This, the penultimate session, got underway shortly after the advertised start time of two o'clock with, inevitably, one or two latecomers rushing into the hall to hear the first set. Four musicians; one from Brazil, one from Germany, one from Scotland and one hailing from just around the corner.
South American cellist Marcio Mattos, a veteran on the free jazz scene, linked up with bass clarinetist Rudi Mahall (a vital presence throughout the weekend), Graeme Wilson (tenor and baritone saxes) and Guitar Rising Star (as 'Down Beat' would put it) Chris Sharkey. Mahall's sound is gutteral, insistent, urgent. Foot-tapping, in something approximating a syncopated style, he leads the ensemble first this way then that. Wilson, cool, detached, listening all the while, never wastes a note. Sharkey, Gateshead born, is a remarkable talent. Technique, style, vocabulary - he's got it all. A good start to the afternoon.
The second set presented the duo of New Yorkers Rob Brown (alto sax) and Daniel Levin (cello). Brown is, as they say, 'the real deal'. Gifted, with a disguised bop sensibility, he knows what to play, when to play it and crucially when not to. Levin is a quite sensational cellist with a dazzling technique (imagine Du Pre or Isserlis as a jazz or free jazz player) and a pork pie hat to boot! I'd venture to say this was the set of the weekend.
The following set saw one change to the advertised line-up with drummer Chad Taylor being replaced by Gunter Sommer. 'Baby' Sommer was joined on stage by the brilliant French bassist Bruno Chevillon, pianist Marilyn Crispell (possibly the stellar name at this year's festival) and 'Man About Gateshead' Chris Sharkey. Sommer and Sharkey traded, Crispell captivated, Chevillon conquered.
Andy Champion had a hand in determining the cast list for the afternoon's closing set. A long time admirer of French guitar virtuoso Marc Ducret, Andy insisited that he share the stage with him at some point. So, this was his opportunity in the company of Raymond MacDonald and Alan Tomlinson. Champion favoured a percussive approach with extensive use of the mallet. The session drew to a close with hand shakes all round.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance