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Bebop Spoken There

Mark Walker: "A drummer in a big band is always happy. It's like driving a big bus." - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday July 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Jam Session - Black Swan Bar, Newcastle Arts Centre, Westgate Rd., Newcastle NE1 1SG. Tel. 0191 222 9882. 8:00pm. House trio: Stu Collingwood; Paul Grainger; Matt MacKellar.

Archipelago & J Frisco + Mark Williams Trio - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 8:00pm. £9.90.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 29, 2009

Jon Taylor and Jim Birkett Jump Start Blaydon.

Jon Taylor (ten/flt/harm/vcl), Jim Birkett (gtr), Jeremy McMurray (pno), Andy Champion (bs), Bill Shield (dms).
Good, honest, straight down the middle swing from Leeds based Jon Taylor. From the opening "Zing Went The Strings of my Heart" to the penultimate "Cheek to Cheek" Jon Taylor dug in and swung out on tenor, flute. and blues harp.
His sax playing relates to the tough tenor school of Ike Quebec, Arnett Cobb or Budd Johnson whilst his fluting had overtones of Roland Kirk. Amazingly this was the first time I'd heard him and I was impressed.
"Autumn Leaves" jumped! They didn't 'drift by my window' they jumped and how. Jon indulged himself (and us) with some growly overblowing flute that turned the French chanson almost into a Chicago blues!
The blues theme predominated in "I'm Just a Lucky So and So" with gravelly vocal and wailing blues harp.
Not to be outdone, Jim Birkett 'Bent it like B.B (King)' and the result was some classic blues playing.
Jim was on form throughout as, as always, was Andy Champion. On piano Jeremy gave it 'what for' with the inscrutable Bill Shield rock steady.
"Harlem Nocturne' - a request from the lovely lady on the next table to us - was played à la Bostic (Earl). Unfamiliarity perhaps slightly hampered this one for 'the boys' but Jon drove it home like as though he was on a King record date.
No such hesitation with two former waltzes played in four. "Charade" and "Tenderly" saw sparkling solos all round. This was bootiful playing - stompology at its best.
The encore - another request - "Moonlight in Vermont". Jon remarked on how requests are always for ballads and it's true - most people can relate to a ballad more than an up-tempo swinger.
The band tonight did both brilliantly with our local boys mixing it on the same level as Jon which is a very high level indeed.
Come back soon.
Lance.

1 comment :

Jon said...

Great site!
Thanks for the lovely review- much appreciated.I enjoyed the gig-typically good North East audience.
I'll keep an eye on the site and be in touch soon.
Jon

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance