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Bebop Spoken There

Lionel Loueke: "A mistake is just for the moment - make it the best mistake it can be, and that's it" - (JazzTimes, April 2019).

Archive

Today Thursday April 25

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Tees Valley Jazzmen - The Merry Monk, Market Place, Bishop Auckland DL14 7NP. 12:30pm. Free.

Evening

Jazz

Eliot Smith Dance: Triple Bill - Newbiggin Maritime Centre, Church Point, Newbiggin by the Sea NE64 6DB. Tel: 01670 811951. 7:30pm. £14.00. (£12.00. concs., £30.00. family). Performance inc Poppy (music composed by Jason Holcomb).

Julija Jaceniate Trio Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs). Jacenaite (vocals), Steve Glendinning (guitar), Paul Grainger (double bass).

Paul Skerritt Band - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 8:00pm. Free.

Paul Donnelly Quartet - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Tees Hot Club: Dormans Jazz Festival.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, July 30, 2016

Paul Edis Sextet @ Ushaw College - July 29

Paul Edis (Piano); Graham Hardy (Trumpet, Flugel); Graeme Wilson (Tenor, Flute, Baritone); Chris Hibbard (Trombone); Mick Shoulder (Bass); Adam Sinclair (Drums).
(Review by Steve T).
My mission, which I chose to accept, is to complete this review without the need to Read More.
Tangle Foot (four bottles), the splendour of Ushaw College, Lord Paul, another five of the hottest musicians from Edinburgh to Darlo and a little over thirty keen Jazz souls spread across all tables, which isn't half bad for mid-summer.
The Timothys to the delight of the four Early Birds there, Adam clattering his kit like I don't think I've heard him before. 
Cluster Fluster and I hear Duke and Mingus but its writer hears Gil Evans. For formal composition, are there three better in the Jazz idiom?
Ravelations, get it? Ravel, Debussy! Via Trane, a hint of Favourite Things during a splendid tenor solo, already rich with Trane, and McCoy Edis responds.
Inevitably, more Mingus influence on Ah Hum which Paul cites as one of his best albums, but to these ears, it's the best Jazz album I know that isn't by Miles.
Some more Mingus in Paul’s sketch of Spain, Knight Errant, mixed seamlessly with influences from Miles and Gil Evans, Chick Corea and more Ravel.
Angular, Administrate This featuring, I think, the most powerful muted horn playing I've ever heard. Graham’s mute and particularly Chris' trombone are crucial in bringing the Mingus sound to the sextet; for me the most under-rated of all the Jazz giants.
Mr Hipster, Eastern and I could barely keep it together for Missing You so I don't know how Lady Kate, for whom it was written, managed.
Lost in Translation sounds like classic American TV cop show and left me suspicious that part of Pauls' secret is he's ambidextrous.
Blues for Dad proved an excellent finale, Micks' sumptuous bass solo taking possibly the strongest applause of the night, Adam still on all cylinders and a great head from the assembled horns.
Incredible I thought during the gig, not just one but two musicians on stage - well, carpet - who can play their own music exclusively, which can compare favourably with anything coming out of the UK or Europe.
Did I make it? I blew it didn't I!
Steve T.

1 comment :

Hugh said...

Read more?
Yes, a joy to read though, Steve.

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