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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 28: Pete Tanton’s Chet Set @ Warkworth War Memorial Hall. 7:30pm. £10.00.
Fri 28: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 28: Ant Law, Alex Hitchcock, Jasper Høiby & Sun-Mi Hong @ The Glasshouse, Gateshead. 8:00pm. £15.40., £13.20.

Sat 29: Spat’s Langham’s Hot Fingers @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 29: Vermont Big Band @ Seahorse Pub, Whitley Bay Football Club. 7:30pm. £10.00. (inc. hot buffet).
Sat 29: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 30: Charlotte Keeffe @ The Globe, Newcastle. 8:00pm. JNE.
Sun 30: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Saturday, July 30, 2016

Paul Edis Sextet @ Ushaw College - July 29

Paul Edis (Piano); Graham Hardy (Trumpet, Flugel); Graeme Wilson (Tenor, Flute, Baritone); Chris Hibbard (Trombone); Mick Shoulder (Bass); Adam Sinclair (Drums).
(Review by Steve T).
My mission, which I chose to accept, is to complete this review without the need to Read More.
Tangle Foot (four bottles), the splendour of Ushaw College, Lord Paul, another five of the hottest musicians from Edinburgh to Darlo and a little over thirty keen Jazz souls spread across all tables, which isn't half bad for mid-summer.
The Timothys to the delight of the four Early Birds there, Adam clattering his kit like I don't think I've heard him before. 
Cluster Fluster and I hear Duke and Mingus but its writer hears Gil Evans. For formal composition, are there three better in the Jazz idiom?
Ravelations, get it? Ravel, Debussy! Via Trane, a hint of Favourite Things during a splendid tenor solo, already rich with Trane, and McCoy Edis responds.
Inevitably, more Mingus influence on Ah Hum which Paul cites as one of his best albums, but to these ears, it's the best Jazz album I know that isn't by Miles.
Some more Mingus in Paul’s sketch of Spain, Knight Errant, mixed seamlessly with influences from Miles and Gil Evans, Chick Corea and more Ravel.
Angular, Administrate This featuring, I think, the most powerful muted horn playing I've ever heard. Graham’s mute and particularly Chris' trombone are crucial in bringing the Mingus sound to the sextet; for me the most under-rated of all the Jazz giants.
Mr Hipster, Eastern and I could barely keep it together for Missing You so I don't know how Lady Kate, for whom it was written, managed.
Lost in Translation sounds like classic American TV cop show and left me suspicious that part of Pauls' secret is he's ambidextrous.
Blues for Dad proved an excellent finale, Micks' sumptuous bass solo taking possibly the strongest applause of the night, Adam still on all cylinders and a great head from the assembled horns.
Incredible I thought during the gig, not just one but two musicians on stage - well, carpet - who can play their own music exclusively, which can compare favourably with anything coming out of the UK or Europe.
Did I make it? I blew it didn't I!
Steve T.

1 comment :

Hugh said...

Read more?
Yes, a joy to read though, Steve.

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