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Bebop Spoken There

Veronica Swift: "I don't want to call myself a jazz singer anymore. I'm a singer and a storyteller.'" - (JazzTimes, December 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13837 (and counting) posts since we started blogging 13 years ago. 56 of them this year alone and, so far, 56 this month (Jan. 16).

From This Moment On ...

January 2022

Mon 17: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 19: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 19: Four @ The Exchange, North Shields. 7:00pm.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 20: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 20: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 21: Emma Fisk & James Birkett @ The Lit & Phil, Newcastle. 1:00pm. POSTPONED!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 21: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 21: John Law @ Durham Cathedral. 7:30pm. £20.00. POSTPONED!
Fri 21: Dean Stockdale Quartet @ Traveller’s Rest, Darlington. 8:00pm. £8.00. Opus 4 Jazz Club.
Fri 21: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm.

Sat 22: East Coast Swing Band @ East Bedlington Community Centre. 7:30pm. £5.00.
Sat 22: MGB @ Prohibition Bar, Newcastle. 8:00pm. The Milne-Glendinning Band.

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio @ The Cluny, Newcastle. 8:00pm.

Saturday, July 23, 2016

Summertyne Americana July 22

 (Review by Russell)
For once the sun shone and Summertyne Americana lived up to its name. The revolving East Door at Sage Gateshead was just that – ever-revolving with ten gallon Stetsons and gaudy Hawaiian shirts parading their sartorial elegance. The Jumpin’ Hot Club open-air stage pitched on Performance Square hosted one turn after another – alt country, blues, hokum, in essence all things Americana.
Two stand-out sets were circled in the diary months ago and they lived up to expectation and more. First up, the veteran Hokum Hotshots followed by blues singer Teresa Watson.
Hokum Hotshots: Jim Murray (guitars, mandolin & vocals) and Pete Mason (guitars, ukulele, washboard, kazoo & vocals)
Jim Murray and Pete Mason play the blues. They play tunes of the Dust Bowl and its old timey forebears; an Appalachian folk tune, a Cajun jig, a Deep South gumbo. Shieldsmen Murray and Mason do it with panache, it’s as though they aren’t trying. They’re students of the genre, they’ve played the music for years, they’ve got the patter and an in-the-head set list as long as a ‘gator in the Mississippi.
Between sets the Red Arrows screamed overhead heading north east, then, banking left in formation, swooped low to Newcastle International Airport, their base prior to an evening appointment down the coast at Sunderland International Air Show. Bizarrely, some Sage rednecks burst into a round of applause. A long queue formed at the pop-up bar of one of the region’s micro breweries (a pint in a plastic glass at £4.00.). A neighbouring stall did its best to entice the hordes with the offer of burger, fries and soda – yours for £8.00. The under-unoccupied burger flipper had plenty of time to listen to the music.

Teresa Watson Blues Band: Teresa Watson (vocals), Johnny Whitehill (guitar), Paul
Donaldson (keyboards), John Morgan (bass) & Barry Race (drums)
A couple of years ago Teresa Watson went along to Summertyne Americana as a punter. A lady in self-imposed retirement, Watson decided she would like to be up there on stage – the roar of the greasepaint and smell of the crowd, and all that – and now in 2016, here she was, belting out the blues once more. Reunited with some of the best bluesmen on the scene, Watson was delighted to play ‘this little festival’. Our vocalist’s joined-at-the-hip bass and drums team – John Morgan and Barry Race – laid the foundations for a Johnny Whitehill guitar master class. The Northumbrian doesn’t strike a pose, his vintage Gibson Les Paul does the talking. Peter Green an obvious influence, referencing Chicago heroes, Whitehill’s encyclopedic knowledge of the genre makes him a guitarist’s guitarist. Teresa Watson is a Love Me Like a Man woman, happiest when she is telling you how it was and how it could be, the lot of a blues woman.

Americana at Sage Gateshead is an occasion. Outdoor, in door – on the concourse and in the halls – you’re never more than a few paces from bumping into a dude with a Stetson. Do take time to view the photographic exhibition outside Sage One and Sage Two. Sage in association with Amber is showing The Preacher and his Congregation. Side Gallery across the river in Newcastle is currently closed for major renovation works. Americana has taken the opportunity to loan James Perry Walker’s photographs of Reverend Louis Cole and his congregation shot on location in 1970s rural Mississippi and Tennessee. The Newcastle gallery reopens on October 1st, this Gateshead exhibition is a rare opportunity to view an important part of the documentary collection before it is returned to the vaults.
Russell.                 

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