Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Sunday, July 10, 2016

Black is the Color of my Voice - Customs House, South Shields. July 9.

Apphia Campbell (performer)
(Review by Lance).
This one woman show wasn't a tribute to Nina Simone in the form of an "And then Nina Recorded a song which charted at..." In fact, Nina wasn't mentioned although the show's fictional Mena Bordeaux was as much Nina as Apphia was herself.
Campbell held the audience firmly in her hand - she was Simone - and the events that shaped Simone's life such as the assassination of Martin Luther King were given the importance they deserved. Those of us old enough to remember tragic events such as the Birmingham, Alabama, killing of 4 black schoolgirls showed emotion as the memories of that era came flooding back.
Simone recorded many protest songs and Campbell interpreted then perfectly, displaying the quality of the music and the angst of the lyric.
They weren't always sung from verse to coda. Frequently, just  half a chorus, but always enough to get the message across.
A message that still needs to be got across - today more than ever! The gunanigans  in Dallas, Minnesota and elsewhere that seem to be happening daily in America would hardly be tolerated in a banana republic let alone in the world's most powerful nation.
Back to the music.
The songs were superb; I Loves You Porgy; Love me or Leave me; I Put a Spell on You; The Look of Love; Don't Ever Go; Wild is the Wind; Let it Shine; We Shall Overcome; Young, Gifted and Black; I Wish I Knew How it Felt to be Free and, finally, Feeling Good.
An actor, as well as an interpreter of songs, Campbell's rich, soulful, contralto filled the theatre touching hearts and maybe consciences along the way.
The Customs House show was the penultimate one of the tour, The final one is at the Mercury Theatre, Colchester on August 31.
Lance.
PS: Although the recorded backing worked well, I'd have liked to have had a live band incorporated in the show - or even just a pianist. After all Nina Simone did play fine piano...

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