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Bebop Spoken There

Mark Turner: "Practice should never be mindless or careless. You will sound like that on the gig!" - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,204 (and counting) posts since we started blogging 13 years ago. 623 of them this year alone and, so far, 31 this month (May 8).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Wednesday, July 27, 2016

CD Review: Elliot Galvin Trio – Punch

Elliot Galvin (piano, kalimba, melodicas, accordion, cassette player & stylophone), Tom McCredie (double bass) & Simon Roth (drums, percussion & glockenspiel)
(Review by Russell).
Elliot Galvin’s mother: Elliot! Elliot!
Elliot Galvin: Yes?
Elliot Galvin’s mother: Stop that noise!
Elliot Galvin: What noise?
I don’t know what that boy is getting up to, it sounds like a Punch and Judy show! said Galvin’s mother to herself.
Punch is Elliot Galvin’s second release as a trio with bassist Tom McCredie and Simon Roth (drums, percussion & glockenspiel). Variously annoying, comic, dark and simply brilliant, Elliot’s new CD, his first on Edition Records, is quite something. Ten tracks, a running time of a little over thirty-eight minutes, Punch covers a lot of ground. Perhaps Galvin sees the recording studio as a playground. Forget Lego, the leader prefers to play with a kalimba, a modified melodica, a cassette player (Punch and Judy) and stylophone. Punch and Judy opens the show – the cassette player still has its uses! The music which follows (tracks two and three and five to ten, track four doesn’t count!) features dazzling musicianship, the trio’s command of a kaleidoscopic range of styles defies belief. Their ability to switch from groove to bop to swing at the flick of a switch is truly impressive.
Galvin plays accordion on Hurdy-Gurdy, a kalimba on Tipu’s Tiger, on which drummer Simon Roth plays glockenspiel, suggesting they are multi-talented and they are. Hurdy-Gurdy opens with some sparkling piano playing supported by Roth’s super-slick brushes with the band leader introducing his unsettling accordion. Roth maintains the uneasiness with a disturbing, chiming glockenspiel on Tipu’s Tiger. 
Blop and Lions are at the heart of this new CD. Galvin detuned one of his melodicas by a quartertone (as one does) and goes for it – more Be-Blop than Blop. Rahsaan Roland Kirk would have approved, indeed he would have joined in! Galvin used duct tape to cover the piano strings on Lions as the bop-feel continues. Mack the Knife is as you probably won’t have heard it. The composer would surely recognise, and approve of, Galvin’s treatment as he strips away any care-free saloon bar pastiche and presents a dark reading of a 1930s prescient masterwork. Bassist Tom McCredie is commanding throughout; creative, fully engaged and a reassuring presence.          
Punch isn’t easy listening, rather, fascinating listening. Hearing the Elliot Galvin Trio live will no doubt reveal more. The album launch is at the Vortex, London on 1st August. The CD Punch by the Elliot Galvin Trio is released on 29th July on Edition Records (EDN 1076).   
Russell.       

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