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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, July 02, 2016

John Martin’s Hidden Notes @ The Jazz Café. July 1

John Martin (tenor saxophone), Ralph Wyld (vibraphone), Rob Updegraff (guitar), Tim Fairhall (double bass) & Tim Giles (drums)
(Review by Russell/Photos courtesy of Mike Tilley)
From Wylam to Wales, for the most part the punters were elsewhere. Wylam Brewery’s new parkland palace of musical and bacchanalian delight was open for business and the Principality’s Welsh Wizards held the goggle-box fan of the beautiful game in its thrall.
Newcastle’s Jazz Café dismissed such alternative attractions in favour of pursuing John Martin’s Hidden Notes.
John Martin and his quintet of band mates have frequented Newcastle’s jazz rooms in a number of outfits in recent times; the Bridge Hotel, the Lit and Phil and here at the Jazz Café. The tenor saxophonist’s Hidden Notes project first saw them record an album and now they are on tour. All of the tunes in the set list were from the F-IRE label CD Spirit of Adventure. This Jazz Café performance burnished the studio recording; John Martin’s exploration of multiphonics in tonal music didn’t in any way constrain his tenor playing on the evening and Ralph Wyld’s dazzling four-mallet vibes playing impressed  again a  matter of days after his appearance with Tim Richards. Heptopia opened the programme with the leader in robust form. A more muscular approach to that heard on the album, it was good to hear John Martin stretch out a little. Rob Updegraff’s Telecaster prompting and probing added to the mix as the two Tims – bassist Fairhall and in demand drummer Giles – were right in there, fully immersed in Martin’s compositions.
The bluesy Folklore steered a grittier path and, as the composer Martin referred to it, the ‘disgruntled’ Giant’s Stomp showcased Wyld’s vibes with Fairhall’s walking bass line a guiding light. The new album’s title track Spirit of Adventure hinted at an Eastern theme with Updegraff’s scorching solo a highlight as Tim Giles’ trademark rattling percussive style impressed an attentive Friday night crowd.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance