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Bebop Spoken There

Guy Barker: "You have to play it [the trumpet] every day or you just won't be match-fit." - (Jazz Rag, Winter 2019.)

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Today Thursday December 12

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 12:00pm. Free.

Note earlier time for this week only!

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Evening

Jazz

Hot Club du Nord - Lubetkin Theatre, East Durham College, Willerby Drive, Peterlee SR8 2RN. Tel: 0191 518 2000. 7:00pm. £10.00. (£5.00. under 18s). 'Jazz at the Lubetkin'.

Gala Big Band - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £10.00. (£8.00. concs.). ‘Gala Big Band Does Christmas’.

Durham University Big Band - Dunelm House, New Elvet, Durham DH1 3AN. Tel: 0191 334 1777. Free. 7:30pm. ‘Jazzy Christmas’.

Indigo Jazz Voices - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00. (£2.00. student).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Tees Hot Club w. Gus Smith (vocals); Dave Stansfield (tenor sax); Ted Pearce (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk/Etc.

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, July 12, 2016

The Hughie Aitchison Story on Record. Tracks 1 and 1a

My favourite tipple, at the Jazz Café, is a bottle of Geordie Jazz. It's also the ideal brew to indulge in whilst listening to this brand of Geordie Jazz as it was when young men of the 1950s were stretching their musical legs. Hughie Aitchison and his longtime sidekick Ronnie McLean were two such preachers of Jazz Revivalism working with, and often against,  the beboppers. Both sides oblivious to the threat of Rock 'n' Roll.
This compilation by Hughie's son Colin has so many memories that I can only treat them track by track and, as such, totally unable to do it in one go so just pick up on my day to day ramblings of what is a historic document.
The opening track - Keep Your Feet Still Geordie Hinnie - tells us that this track by Stan Wilde's Wilde Cats couldn't have been recorded anywhere else but in the northeast - Durham Jazz Club to be precise although, where Durham Jazz Club held forth on June 25, 1950, remains a mystery.
The recording is as good as can be expected with Hughie's driving, Spanier type lead, McLean's trombone - not as smooth as in later years when Kid Ory gave way to Jack Teagarden and Stan Martin reminding us that he discovered Benny Goodman before Pee Wee Russell (in later years he successfully managed  to merge the two seemingly disparate styles. Alan Brown, later to form the Panama Jazzmen (or was it before?) kept the rhythm section afloat and, on drums, Gordon Prudham!
I knew Prudham from the years he spent working with Ronnie Callaghan at various CIU clubs but hadn't realised he'd been a part of the trad scene but, the adage holds true, if you can play you can play whatever the gig demands. As a matter of non-musical interest, Gordon Prudham made Marshall Walker seem like a stand-up comedian! Marshall will return later.
Nick Downing replaced McLean for At the Jazz Band Ball and, I must confess, Downing is an unfamiliar name to me but he did the business here - was he a student sitting in? Questions to be answered!

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