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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Friday June 22

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Alice Grace Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Ushaw Ensemble - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 1:00pm. £5.00.

Evening

Emma Fisk & Paul Edis - Ushaw College, Durham DH7 7DW. 7:30pm. £7.00

Julija Jacenaite Trio - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free.

Q&A: Eric Burdon & Hilton Valentine - Castle Gate, Melbourne Street, Newcastle NE1 2JQ. Tel: 0191 233 2288. 7:00pm. £30.00. (£50.00. VIP ‘Meet & Greet’ inc glass of fizz & photo with Burdon & Valentine). Tex Leon & Friends will perform at the event.

Stax Brothers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 13, 2015

GIJF Day Two: On The Concourse

(Observations by Russell/photo courtesy of Ken Drew.)
An integral part of the Gateshead International Jazz Festival at Sage Gateshead is the non stop programme of jazz on the concourse. A social gathering – coffee, cake (some of it is likely to be scoffed as a freebie!), a glass of wine or a beer. The chatter, the snappers, an artist in residence, the place a hive of activity.
On this Saturday afternoon Jazz Attack – another of Sage Gateshead’s music education initiatives – opened proceedings. Lead by drummer Paul Edis*, this youth ensemble took to the stage from a staircase, playing as they walked onto the platform. A calypso (good, joyous material ideal in a festival setting), Satin Doll, the riffing Nick’s Late (the band’s title for a frequently late-arriving tenor player – no names, the clue is in the title) and the classic Nat Adderley number Work Song. MD Edis encouraged his charges, keen to hear their efforts rewarded with applause. The audience showed appreciation for several solo spots – tenor and alto particularly noteworthy – and the collective performance. Give it a year or two and some of these guys will become familiar names on the scene.
Improvising pianist Paul Taylor had the grand piano to himself for half an hour or so. In a typically restrained performance Taylor’s watercolour-wash impressionism engaged the attention of those up close, others a distance away perhaps missing out on the finer detail of his art.
The Ruth Lambert Trio ensured the sound balance was as good as it can be in the arena. Vocalist Lambert sang as well as ever, bassist Mick Shoulder and Giles Strong (guitar) as ever, were immaculate as accompanists as a set of original material was topped and tailed with GAS book classics You and the Night and the Music and Time After Time.
The Mark Gray Band (or was it Skake Yer/Your Brass?) entertained with a brassy jazz attack featuring the all-action David Gray (trombone). From Frankenstein to Brooklyn, it was just the sort of rousing stuff that cannot fail on the concourse at Sage Gateshead. The Cookers called a tea break in the Barbour Room. Instruments locked away, it was time to hear from the masters – read the report of the occasion posted by the editor of this blog.
Later, back on the concourse…the place was absolutely packed for the appearance of the one and only King Bee. Seats, upper level standing vantage points, staircase dwellers – a huge crowd lapped it up. Funkin’ great! The regular boys  - Dave Wilde, Richard Burns, Steve Glendinning and the great Chris Jelly – were joined by super-tight engine room deps. More! More!
Russell
* Ace pianist Paul Edis filled in on drums. A youth band short of a drummer? There has to be a joke in there somewhere. PS Don’t give up your day job, Dr Edis!

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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