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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Monday June 18

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 20, 2015

CD Review: Elina Duni Quartet - Dallendyshe (Swallow)

Elina Duni (voice); Colin Vallon (piano); Patrice Moret (bass); Norbert Pfammatter (drums)
(Review by Ann Alex)
This CD is a wonderful example of a successful marrying of jazz and folk music.  It is my CD of the Month for April, even though all the singing is in Eastern European languages such as Albanian.  We reviewers here at BSH get to keep CD’s that we review, but I sometimes have to return mine to Lance for lack of space.  However, there’s no way he’s getting his paws on this one!
Each of the 12 tracks has the unmistakable yearning sound of Eastern Europe with some hints of Arabic tones and yet the jazz influence is well-present, tastefully heard from piano, bass and ever so subtle drumming.  The songs are about loss and exile but, as stated in the notes supplied, the pain is sung or danced away, rather like the feel of blues music, sadness with attitude is how I’d describe it.  The voice is expressive and the songs have titles such as Fellenza (The Partridge); Kur Te Pashe (When I Saw You); Taksirat (The Mishap). A booklet with translations into English is supplied, but there is great pleasure in just listening to the singing, as I found the language to be very attractive.
Take track 2 as an example, Syte (The Eyes).  This begins with an Eastern European tune, light drums, subtle bass and a build up of tension towards the end.  But then the very end is a fast dance which you could imagine being danced at a village wedding.  ‘My eyes wet with tears for you, don’t you ache for me the least?  The arrangements of the songs cleverly prevent any sentimentality.  
It goes without saying that the singing and musicianship is well up to the job on this CD, which is Ms Duni’s 2nd Cd with ECM.  It was released on April 13 - catalogue number 470 9282.
Ann Alex

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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