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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Thursday May 23

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Elina Duni + Trio FCT - Black Swan, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £10.00. & £8.00.

Tees Hot Club w. Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 28, 2010

Soul Brothers - Ray Charles/Milt Jackson

Ray Charles (pno, alt); Milt Jackson (vbs, pno, gtr); Billy Mitchell (ten); Skeeter Best (gtr); Oscar Pettiford (bs); Connie Kay (dms) - 1957.
I stumbled onto this little gem via Spotify and it served to emphasise my view that the 1950s were Jazz's Golden Era. I say this because, although I remember it being issued on Atlantic, at the time there was so much good stuff around I somehow never got around to checking it out and the reviewers in Jazz Journal and Jazz Monthly both dammed it with faint praise...
My loss - until now!
No vocals from Charles but he plays some blistering alto sax on How Long Blues as well as blues tinged modern piano on the other tracks. Milt also plays piano - as well as guitar on How Long Blues and Milt's Guitar Blues.
However, as expected, it's his vibes playing that scores - away from the MJQ his roots were as down home as Ray Charles'.
Billy Mitchell blows powerful tenor which, coupled with Best and Pettiford's contributions, go to make this an album well worth picking up on.
Lance.

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