The RCJ was formed in 1955, making this year, 2005, the 50°’ anniversary for the band. To the best of my knowledge only two other bands have played together continuously for this length of time - the Chris Barber band, of course, - and the Merseysippi band from Liverpool.
The story actually began in 1953 at Max Share's music shop in Percy Street, Newcastle-upon-Tyne. In an effort to interest young people in music, (if only it would happen today!) Max had formed a weekly harmonica club in a room above his shop. It was here that three youngsters, Ray Shenton, Herbie Hudson and Harry Stevenson met up and decided to set up a harmonica trio which they called the Harmonica Hoodlums! The boys got quite a lot of work, and in 1954 they were invited down to the Lime Grove Television Studios in London to appear on an early talent show called “All Your Own” which was presented by Huw Weldon.
Following this they did regular radio broadcasts in the North of England until, with the addition of three more keen friends, they decided to form a traditional jazz band, hence the River City Jazzmen were born.
The band was an immediate success with the quickly growing number of jazz followers. The personnel changed slightly at this time but soon settled down to a stable unit made up of John Potts - Trumpet, Herbie Hudson - Trombone, Harry Stevenson - Clarinet, Colin Hopper – Banjo, Ray Shenton - Tuba, Brian Sanson - Drums. Shortly after this Ray Shenton’s brother Joe joined on washboard giving the band a very distinctive sound. Joe also took over as band manager and later proved himself to be an ideal front man for the band.
This group became very popular and usually played 5 to 6 nights a week at venues all over the North, -- there were many thriving clubs in the area at that time such as the Royal Arcade , the New Orleans Club and the Downbeat in Newcastle, and the likes of the Coatham Hotel in Redcar and Baileys in South Shields.
Obviously there have been personnel changes over the years, and the sound of the band has changed , but it is still going strong and is fortunate to still have a good number of loyal followers. During 1980 clarinetist Bruce Bakewell joined, and his lovely New Orleans style was much appreciated. Bruce later played and recorded with Ken Colyer. Also, at this time, trumpeter Joe Errington, now with Papa Bue in Denmark, was with the group and stayed for many years.
Probably the most famous musician to play with us was a certain Gordon Sumner, known nowadays as Sting. Sting had played bass with trombone player Gordon Solomon for 12 months in 1973 in two earlier bands, the Phoenix Jazzmen and the Newcastle Big Band, and when Gordon left to join the RCJ Sting followed and helped out for a few gigs.
Gordon Solomon 2005 (to be continued...) Bebop Spoken There
“Hank [Mobley], as far as I’ve heard, never played a wrong or corny note.” Eric Alexander (Jazz Times June 2013).
“I don't even remember learning to read music. I could always do it.” - Henry Lowther (Jazzwise July 2011).
Bebop Spoken There archives (From Greg Abate to Mike Zwerin!)
June 23 Ray Chester Tribute Concert.
As most of you already know, sadly, Ray passed away in January this year and as a mark of respect and celebration of his music, the band has agreed to perform one final concert with all proceeds going to St Benedict’s Hospice (Monkwearmouth). It is probably, most fitting that this “Tribute Concert” will be at the Customs House, South Shields where Ray has appeared every year since 2007. A memorable and emotional night truly awaits the band’s last captive audience. The event is being recorded and modestly priced copies can be ordered on the night. Tickets available from the Customs House – 0191 4541234 or www.customshouse.co.uk
More info from the Ray Chester website.
TODAY WEDNESDAY JUNE 19
Saturday, January 09, 2010
THE RIVER CITY JAZZMEN-- REPRINTED FROM JUST JAZZ INTERNATIONAL MAGAZINE. Part one.
The RCJ was formed in 1955, making this year, 2005, the 50°’ anniversary for the band. To the best of my knowledge only two other bands have played together continuously for this length of time - the Chris Barber band, of course, - and the Merseysippi band from Liverpool.
The story actually began in 1953 at Max Share's music shop in Percy Street, Newcastle-upon-Tyne. In an effort to interest young people in music, (if only it would happen today!) Max had formed a weekly harmonica club in a room above his shop. It was here that three youngsters, Ray Shenton, Herbie Hudson and Harry Stevenson met up and decided to set up a harmonica trio which they called the Harmonica Hoodlums! The boys got quite a lot of work, and in 1954 they were invited down to the Lime Grove Television Studios in London to appear on an early talent show called “All Your Own” which was presented by Huw Weldon.
Following this they did regular radio broadcasts in the North of England until, with the addition of three more keen friends, they decided to form a traditional jazz band, hence the River City Jazzmen were born.
The band was an immediate success with the quickly growing number of jazz followers. The personnel changed slightly at this time but soon settled down to a stable unit made up of John Potts - Trumpet, Herbie Hudson - Trombone, Harry Stevenson - Clarinet, Colin Hopper – Banjo, Ray Shenton - Tuba, Brian Sanson - Drums. Shortly after this Ray Shenton’s brother Joe joined on washboard giving the band a very distinctive sound. Joe also took over as band manager and later proved himself to be an ideal front man for the band.
This group became very popular and usually played 5 to 6 nights a week at venues all over the North, -- there were many thriving clubs in the area at that time such as the Royal Arcade , the New Orleans Club and the Downbeat in Newcastle, and the likes of the Coatham Hotel in Redcar and Baileys in South Shields.
Obviously there have been personnel changes over the years, and the sound of the band has changed , but it is still going strong and is fortunate to still have a good number of loyal followers. During 1980 clarinetist Bruce Bakewell joined, and his lovely New Orleans style was much appreciated. Bruce later played and recorded with Ken Colyer. Also, at this time, trumpeter Joe Errington, now with Papa Bue in Denmark, was with the group and stayed for many years.
Probably the most famous musician to play with us was a certain Gordon Sumner, known nowadays as Sting. Sting had played bass with trombone player Gordon Solomon for 12 months in 1973 in two earlier bands, the Phoenix Jazzmen and the Newcastle Big Band, and when Gordon left to join the RCJ Sting followed and helped out for a few gigs.
Gordon Solomon 2005 (to be continued...) Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.
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Hello It is Ray Shenton here. How nice to read your article on the formation of the River City Jazzmen. It certainly brought back memories. My tuba has more leaks than Wales so I now play the piano and harmonica with some of the boys about twice a year. Come to Great Whittington Jazz picnic on 8th August 2010 from noon to 3pm for a trip down memory lane
ReplyDeleteThis is Joe Shenton here and I will be specially flying in from America for that gig! My agent will contact you for further details. Good luck for the day!
ReplyDeletehello Joe, If you are flying in to Bardon Mill watch for a winedy runway with potholes. You might be better off on the one near the Roman Wall as it's a bit straighter. Looking forward to seeing you at Great Whittington on 8th August for what is promising to be a gig to remember
ReplyDeleteHi I am Colin Hopper's(Banjo) son Brian who sadly passed away in 2007. Its good to see that Ray continues to have the gig's at Great Whittington. I know my dad really enjoyed them. Since he passed away I have been looking into history of the band. I have found the site very informative and interesting. To see that the band continues after 50 years is great testiment to the orginal members!!!!
ReplyDelete