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Bebop Spoken There

Orrin Evans: “Now, getting a teaching spot is the new record deal”. (DownBeat, November, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17487 (and counting) posts since we started blogging 16 years ago. 761 of them this year alone and, so far, 66 this month (Oct. 30).

From This Moment On ...

November

Sat 02: Mike Durham’s International Classic Jazz Party @ The Village Hotel, North Tyneside. 12 noon. Day 2/3. SOLD OUT!
Sat 02: Red Stripe @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. ‘Bebop Language by Barry Harris.’. Enrol at: learning@jazz.coop.
Sat 02: Guy Davis @ The Witham, 3 Horse Market, Barnard Castle, DL12 8LY. &:30pm. £18-£20. Legendary American blues artist.
Sat 02: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 03: Mike Durham’s International Classic Jazz Party @ The Village Hotel, North Tyneside. 12 noon. Day 3/3. SOLD OUT!
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm (12:30pm doors). £7.50.
Sun 03: Dean Stockdale Trio @ Central Bar, Gateshead. 2:00pm. £10.00. Dean Stockdale, Mick Shoulder, John Bradford.
Sun 03: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 03: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free. Rescheduled date from Sunday 27 October.
Sun 03: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 03: Leeway @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 03: Hi Res Heart @ The Globe, Newcastle. 8:00pm. Pyne/Archer/Keefe/Bardon. JNE.

Mon 04: Enrico Tomasso/Cia Tomasso/Curtis Volp @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 04: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Square, Whitley Road, Palmersville, Newcastle upon Tyne NE12 9SU. Tel: 0191 266 8137. 1.00pm. Free.
Mon 04: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.

Tue 05: Vieux Carré Jazzmen @ The Victoria & Albert Inn, Seaton Delaval NE25 0AT. 12:30pm. £12.00. ‘Guy Fawkes Steak & Ale Pie & Pea Lunch’. To book tel: 0191 237 3697.
Tue 05: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: The Horne Section’s Hit Show @ Tyne Theatre, Newcastle. 7:30pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 07: Jazz Appreciation North East/Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘George - named musicians, vocalists & composers (Chisholm, Duke, Lewis, Shearing, Benson, Melly, Gershwin et al)’.
Thu 07: Aki Remally: The Gil Scott-Heron Songbook @ Gosforth Civic Theatre, Newcastle. 7:30pm. Remally (guitar, vocals); Fraser Urquhart (piano); Tom Wilkinson (bass); Max Popp (drums).
Thu 07: Rat Pack Live @ Whitley Bay Playhouse. 7:30pm.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guest band night with the new Pensacola Boulevard: Josh Bentham (trumpet!); Donna Hewitt (clarinet); Ron Smith (bass); Graham Thompson (keys); Mark Hawkins (drums); Django ZaZou (trombone); Vicky Jackson (vocals).

Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Joe Steels Trio @ The Pele, Corbridge. 7:00pm. Fri 08: TC & the Groove Family + Swannek + Knats @ Cobalt Studios, Newcastle. 7:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, January 21, 2010

John Escreet Project @ The Sage Gateshead - January 20th

John Escreet (piano), Matt Brewer (double bass), Nasheet Waits (drums), Ambrose Akinmusire (trumpet) & David Binney (alto sax & electronics). A couple of years ago Yorkshire lad John Escreet upped sticks and headed for the Big Apple. Would the pianist be able to cut it or even maybe slay some mighty dragons in the jazz hot house that is New York? A nine date European tour with some of America's finest jazz musicians, calling-in at the Sage last night, would, no doubt, provide some answers.
The Northern Rock Foundation Hall was well attended (many of those present being that strange beast - the 'non-jazz' Sage patron never to be seen at a jazz gig elsewhere in the region). Escreet's Project took to the stage to warm applause and played three tunes without pause; delicate, tentative, explorative pieces with new trumpet whizz Ambrose Akinmusire exhibiting a different approach to many of his contemporaries in showing no inclination to knock 'em dead with bedazzling bugling. His preference was to reveal a superlative tone with squeezed half-notes and long, measured intervals.
John Escreet wrote all of the material performed on this tour, some of the compositions so new they went untitled. The first set closed with 'Wayne's World' a number to be found on Escreet's debut CD.
Bass and drums - Matt Brewer and Nasheet Waits (Waits was with Jason Moran at the Sage eighteen months ago) - proved to top class. Still in their twenties, they have, as their fellow Americans would say, 'awesome' technique and then some. How do they assimilate so much at such an early stage in their careers?
Altoist David Binney had been relatively subdued until this the first set closer. He fired-up the Apple Mac to throw some electronics into the mix and then the reedsman showed why he is held in high regard by many musicians and listeners alike.
A good, at times challenging set. Escreet offered more of this difficult music for the second set. The band, sight-readers all, were committed to the task, the leader himself content to be part of the unit, in no way dominating proceedings. His style is his own; sparse and percussive with contemporary classical elements competing with Junior Mance-like bop phrasing. There seems little doubt he will survive in the Big Apple.
The final composition of the evening 'Magic Chemical' typified the performance as a whole - full of twisting, changing time signatures and swing-time passages. The concert is an early contender for Gig of the Year 2010. The new material heard during the tour will be recorded in New York next week for future release. Russell

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