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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).

Bebop Spoken There

Larry Klein: "- in a certain way - Leonard [Cohen] is the greatest songwriter ever." - (Jazzwise October 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14581 (and counting) posts since we started blogging 14 years ago. 859 of them this year alone and, so far, 59 this month (Sept. 21).

From This Moment On ...

September

Sun 25: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 25: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 25: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm. CANCELLED!
Sun 25: Skylla + Pete Wareham-Ruth Goller-Will Glaser @ Bobik’s, Punch Bowl, Jesmond, Newcastle. 8:00pm. A Newcastle Festival of Jazz & Improvised Music event.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 26: Lewis Watson Quartet @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 27: Beth Clarke @ British Legion Club, West Jesmond, Newcastle. 1:00-4:00pm. Free.
Tue 27: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 27: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 28: Battle of the Bands @ NE Volume Music Bar, Yarm Lane, Stockton. Doors 6:00pm. Tickets: £5.00. adv., £6.00. on the door. Participants inc. Milne Glendinning Band.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 28: 4B @ The Exchange, North Shields. 7:00pm.
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 28: Black is the Color of My Voice @ Alnwick Playhouse. 7:30pm. One woman stage play (the life & times of Nina Simone).
Wed 28: Laura Jurd @ Sage Gateshead. 8:00pm.

Thu 29: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 29: Ushaw Ensemble @ King’s Hall, Newcastle University. 1:10pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 29: Czajka & Puchaz + Mark Solborg + Anthropology @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 29: ‘58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 29: La Sonora Boreal’s Latin Jam Session @ The Globe, Newcastle (7:45pm). Free (donations). Latin jazz performance & jam session.
Thu 29: Peter Morgan Trio @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 30: Adam Johnson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 30: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 30: Pete Churchill & Noel Dennis: Exploring the Jazz Metaphor in Leadership & Management @ Lit & Phil, Newcastle. 2:30-4:00pm. Workshop.Tickets: £3.30 (inc. bf). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: FILM: Bird (Dir. Clint Eastwood) + Swing Bridge (in the bar) @ Forum Cinema, Hexham. 6:30pm.
Fri 30: Orphy Robinson + Maniscalco-Bigoni-Solborg + Nicole Mitchell + Binker Golding-Alexander Hawkins-John Pope-Paul Hession @ Lit & Phil, Newcastle (7:00pm). A Newcastle Festival of Jazz & Improvised Music event.
Fri 30: Ushaw Ensemble @ St Mary’s Church, Holy Island. 7:30pm.
Fri 30: Alter Ego @ Prohibition Bar, Newcastle. 8:00pm.
Fri 30: King Bee @ The Craig Charles Funk & Soul Club, Independent, Sunderland. 9:00pm. £22.50. DJs + King Bee.

Thursday, January 21, 2010

John Escreet Project @ The Sage Gateshead - January 20th

John Escreet (piano), Matt Brewer (double bass), Nasheet Waits (drums), Ambrose Akinmusire (trumpet) & David Binney (alto sax & electronics). A couple of years ago Yorkshire lad John Escreet upped sticks and headed for the Big Apple. Would the pianist be able to cut it or even maybe slay some mighty dragons in the jazz hot house that is New York? A nine date European tour with some of America's finest jazz musicians, calling-in at the Sage last night, would, no doubt, provide some answers.
The Northern Rock Foundation Hall was well attended (many of those present being that strange beast - the 'non-jazz' Sage patron never to be seen at a jazz gig elsewhere in the region). Escreet's Project took to the stage to warm applause and played three tunes without pause; delicate, tentative, explorative pieces with new trumpet whizz Ambrose Akinmusire exhibiting a different approach to many of his contemporaries in showing no inclination to knock 'em dead with bedazzling bugling. His preference was to reveal a superlative tone with squeezed half-notes and long, measured intervals.
John Escreet wrote all of the material performed on this tour, some of the compositions so new they went untitled. The first set closed with 'Wayne's World' a number to be found on Escreet's debut CD.
Bass and drums - Matt Brewer and Nasheet Waits (Waits was with Jason Moran at the Sage eighteen months ago) - proved to top class. Still in their twenties, they have, as their fellow Americans would say, 'awesome' technique and then some. How do they assimilate so much at such an early stage in their careers?
Altoist David Binney had been relatively subdued until this the first set closer. He fired-up the Apple Mac to throw some electronics into the mix and then the reedsman showed why he is held in high regard by many musicians and listeners alike.
A good, at times challenging set. Escreet offered more of this difficult music for the second set. The band, sight-readers all, were committed to the task, the leader himself content to be part of the unit, in no way dominating proceedings. His style is his own; sparse and percussive with contemporary classical elements competing with Junior Mance-like bop phrasing. There seems little doubt he will survive in the Big Apple.
The final composition of the evening 'Magic Chemical' typified the performance as a whole - full of twisting, changing time signatures and swing-time passages. The concert is an early contender for Gig of the Year 2010. The new material heard during the tour will be recorded in New York next week for future release. Russell

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