Total Pageviews

Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, January 31, 2010

Ruth Lambert Quintet: Splinter @ The Bridge

Ruth Lambert (vcl), Graeme Wilson (ten), Paul Edis (pno), Andy Champion (bs), Tim Johnstone (dms).
"You and the Night and the Music" sang Ruth bravely battling a non-cooperative mic. before Adrian Tilbrook twiddled a knob or two to restore the equilibrium and enable Ruth to ride the number out in style as befitted her stable-girl chic.
Nancy Wilson's "Save Your Love for Me" was followed by the first of three devil numbers that were interspersed in the set lists.
This was "Between the Devil and the Deep Blue Sea" taken at a nice bouncy swing. The other devils were "That Old Devil Moon" and "Devil May Care".
All in all it was a typical Ruth gig which means quality songs sung impeccably in the company of four of the best guys around.
"My Romance" and "Time After Time" had Ruth starting off with just Andy Champion on bass. Both numbers were taken slightly faster than the norm which pumped a bit of life into them whilst "But Beautiful" was done slow and soulfully with Paul Edis emoting the perfect accompaniment behind the vocal. A similar feel was achieved on "Don't Explain", "So Many Stars" and "You Don't Know What Love Is".
The final "Almost Like Being in Love" began à capella before turning into a blast with some fine solos all round. Paul, Graeme and Andy had had their fair share but this was Tim Johnstone's only moment in the spotlight and he displayed the technique that makes me realise he is one of the most underrated percussionists around.
It was a good gig that was reasonably attended given the conditions underfoot and Ruth was in fine voice - catch her again soon.
Next week - Extreme Measures.
Lance.

1 comment :

Russell said...

Hi Lance

Another good set from Ruth - in fine voice. I thought the gig had a low-key feel to it. Perhaps the snow kept some at home - those who were there seem to be the nucleus of regulars at Splinter @ The Bridge. Here's hoping it continues.

Russell

Blog Archive