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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Sunday, January 17, 2010

Paul Edis Sextet: Splinter @ The Bridge Hotel

Graham Hardy (tpt/flug), Alex Leathard (tmb), Graeme Wilson (ten), Paul Edis (pno), Mick Shoulder (bs), Adam Sinclair (dms).
Another well-attended jazz gig! Have the ears of the world, or at least the north-east finally been unfurled? Will "Blaydon Races" be replaced by "Straight No Chaser"?
The thought is enough to put one in a sentimental mood which the Paul Edis sextet did tonight. On, I think the third number, they gave the old Ellington standard a glorious workout with Graham as opposed to Graeme playing an emotional muted chorus or two. The tune may be vintage wine but the arrangement and Graham's solo were of today.
This was but one of the first set delights - there were many.
Alex Leathard, depping for Chris Hibbard on trombone, played amazingly well, and these weren't your average stock arrangements. On top of that he soloed in both a luxuriant mellow mood as well as in a 'Machine Gun' Jimmy Knepper mode.
Graeme, as opposed to Graham, not only blew tough tenor but contributed some of the arrangements too.
His playing and his writing can be awesome at times.
Tonight was one of those times.
What can one say about the rhythm section? They handle everything with apparent ease. A trio number written by Paul and dedicated to the Duke of Ellington was sensitivity personified; rich probing chords that opened your harmonic tear ducts and moved your emotions up a gear.
The hour-long first set seemed to fly by; it had been a joy.
My heart stopped fluttering and began sinking when Paul announced that the sextet were to play a four movement suite he had composed.
I shuffled in my seat and attempted to make myself comfortable and prepared for the premiere of the as yet unnamed suite. Suites are not my bag and run second to tone poems on my boredom factor lists - I looked wistfully towards the distant door. Could I make it? I wondered.
Decided I couldn't so sat back and gritted my teeth
I was wrong to doubt! From the opening sonority of Mick's bowed bass to his closing reprise 'twas excellent.
In between, all the musicians were featured to great effect in solo and in ensembles that encompassed counterpoint, a hint of atonality, some marvelous harmonies and varying tempos. I breathed a sigh of relief - nothing bitter about this suite.
The final selection, "Angular" saw Adam chip in with an imaginative solo that reminded us that the spaces are as important as the salvos.
Adam did both to great effect.
A fine gig.
Lance.

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